Corot: Women

October 29th, 2018|

Two questions came to mind as I wandered through Corot Women at the National Gallery of Art: how many variations are there on the word “melancholy,” and is it acceptable to judge a work of art on the attractiveness of the model depicted? Of the 44 paintings in the show, spanning the half-century 1826-1874, more […]

Delacroix at the Met

October 8th, 2018|

Seeing 150 works in the Met’s first-ever-in-North-America retrospective of Eugene Delacroix I came to the conclusion that he was a one-trick pony. There was little or no development or change detectable from his first works, which were revolutionary in the 1820s, to his last and worst in the ’50s. The trick, so to speak, was […]

Truth and Beauty

October 4th, 2018|

Kudos to the organizers of this exhibition for using major international loans to make an art-historical point. It’s one thing to say that Britain’s Pre-Raphaelite Brotherhood was inspired by certain Renaissance artists; it’s quite another to show their work cheek-by-jowl with actual paintings they would have known in London in the 1850s. The most telling […]

Paintings at the Met – 18th Century

October 20th, 2017|

613. French Women
Best: Marie Denise Villers, Marie Josephine Charlotte du Val d’Ognes (1801). Of all the eyes looking at me in this gallery, hers are the ones that hold me. Light and shadow define the plain dress and spartan room, and we see a courting couple through a broken window pane. The composition is so […]

Paintings at the Met – Spain

October 20th, 2017|

610. Velazquez
Best: Velazquez, Juan de Pareja (1650). A masterpiece of world portraiture: Velazquez’s consummate brushwork comes through the unfortunate glazing, capturing light reflecting off the Moor’s forehead, texturing his skin, revealing itself in the lace color and rich gray background. Note the single red dot that marks the right ear.
Worst: Bartolome Esteban Murillo, A Knight […]

Paintings at the Met – 16th Century

October 19th, 2017|

607. Venice
Some periods are just better than others. 16th c. Venice – with Titian, Tintoretto, Veronese and Lotto – is one. The next gallery – 16th c. Northern Italy – is not.
Best: Paolo Veronese, Mars and Venus United by Love (1570s). A topflight work (along with its companions at the Frick) by a consummate artist: […]

What Is Art?

September 3rd, 2016|

The age-old, unanswerable question came to mind as I pondered two equally compelling objects on back-to-back days in San Francisco (8/13-14/16). The first was the “strandbeest” at the Exploratorium in an exhibit titled “The Dream Machines of Theo Jansen.” There were actually several on display, including one that was operational. Contraptions made largely of PVC […]

Capodimonte in Naples

May 31st, 2016|

Herewith, in chronological order, my ten personal favorite works from the Museum of Capodimonte in Naples:

Colantonio del Fiore, St. Jerome in his Study (1446). Best of the Naples artists featured upstairs; fun detail and warm, cuddly lion.

Botticelli, Virgin Mary with Child and Angels (1469). I can’t get enough of the early delicious Botticelli, even a […]

Art in Florence

May 30th, 2016|

Florence is a veritable Disneyland of Renaissance art, with commensurate gelaterias and boutiques scattered among the rides. As with Disneyland, one doesn’t want to miss an attraction, which inevitably leaves the visitor exhausted by the experience, even if one has five days, as we just did, to see it all. Although this was my third […]

The New Whitney

June 25th, 2015|

The question everyone in New York is asking is, “What do you think of the new Whitney?” The simple answer, which almost everyone seems to give, is, “It’s great!” First, the location: although it is harder to get to by public transportation (more on that later), it has created a new target location in Manhattan. […]

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