The Isabella Stewart Gardner Museum in Boston has a lot in common with the Barnes, now in Philadelphia. Both are private, idiosyncratic collections amassed early in the 20th century by a single individual, and both are, or have been, severely constricted by the founder’s deed of gift. The collections, of course, differ: Barnes was into […]
Once again I was so annoyed by the wall labels of a Met show that I had trouble appreciating the art. This time the show, apparently conceived and titled for marketing purposes, was called “Balthus Cats and Girls” – thus, appealing to the Met’s two main audiences: men and women. The first shortcoming of the […]
Met Director Thomas Campbell touts The Civil War and American Art as a “once-in-a-lifetime exhibition [that] proposes significant new readings of some of this country’s most iconic paintings.” It is, however, a reading I’ve seen before – among other places in the MIA’s American Sublime show. Then I wasn’t convinced; this time I was simply […]
A Museum-Goer’s Wish List (in no particular order) [work in process] Nearly every sizeable museum now has a Collections Handbook, a softcover, 2/3-size for $20-something book that illustrates and explicates a selection of highlights, usually one to a page. My wish is that this handbook feature primarily, if not exclusively, works on permanent display. What […]
Thirty years after our last visit to the City of Brotherly Love, we returned for an art visit to the new Barnes Foundation building and the much older Philadelphia Museum of Art and Pennsvylvania Academy of the Fine Arts (PAFA). As much as we enjoyed those jewels, we also loved the setting: Philadelphia seemed clean, […]
The Louvre A more-or-less forced march of four hours let me survey most, but not all, of the Louvre’s paintings on display and made me wonder how I had seen so much more on previous visits. I don’t know a better strategy, but there must be one. I started with the Flemish and Dutch schools […]
The Musee du Quai Branly – what a hodgepodge! In a stab at the ‘new museum,’ galleries have been eliminated, and the visitor is expected to flow through continents, like some Nile-Amazon combination. Then, what impresses is not quality, but quantity. Instead of one great Kota reliquary figure, we find eleven lined up in a […]
We saw the light and dark of European 19th century art at the Musee d’Orsay: the world’s leading collection of Impressionism in the 5th floor permanent galleries and a special exhibition on the ground floor of “Dark Romanticism,” called, infelicitously from Poe, “The Angel of the Odd.” The latter featured art “that used terrifying and […]
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