The climax of Simon & Garfunkel’s career (see Sidebar, below), The Boxer has, in spades, everything that made one of the rock era’s two greatest duos so great: harmonies that melt your heart, folk-rock purity, insinuating rhythm, literate lyrics and an intriguing story you think you understand, but don’t, really. Humility the listener can identify […]
Lyin’ Eyes has the peaceful, easy rolling rhythm that’s an Eagles trademark and the cool, non-emotional tone of Southern California – a dotted line runs from the Beach Boys in the ‘60s to the Eagles in the ‘70s. The story is as old as the Hollywood hills, but never in rock music has it been […]
Like the sea rolling over the sand, With or Without You seeps from every pore of the speakers and takes hold of every nerve of my body. It becomes an environment all to itself. The 4/4 tomtom beat of the bass grabs me and holds on, then halfway through, the drum starts pounding the backbeat. […]
John Popper’s harmonica sound is practically unique in rock’n’roll, but that is not even his most distinctive contribution to Run-Around. Rather, it is his gravelly but relentlessly upbeat voice which runs through a full narrative lyric while leaving me with no clue what he is saying or singing about. Or even what is a “run-around.” […]
Polished commercial perfection and deeply expressed emotion don’t often come together, but when they do, as they do here, it is a gem. The Motown rhythm section chugs along with Southern-school marching band precision and the Supremes are given a readymade dance move, with gloved hand extended at every “Stop!” But then, before each verse, […]
A Morse-Code barrage of “din-din-dins” announces one of the great bass lines in rock, a line that flares and swoons but never lets up. The last “din” in the opening line morphs into the first word of “don’t-know-why-I,” with each word adding a singer to the mix, in harmonic thirds. All join together then for […]
Silky-smooth and warm-hearted, this song tells a tale of love that chills me every time: “I’d rather live in his world…than live without him in mine.” This is to Motown as Bonnard is to the Impressionists; it incorporates the innovations but adds the veneer of a later decade. The Pips in the background echo the […]
This is the first song whose opening bars made me run to my room, close the door and sing along – yes, often in front of the mirror – pretending, or hoping, to be a rock star. I am not ashamed: Elvis had that effect on many, and Don’t Be Cruel is the quintessential Elvis. […]
A sprightly guitar is joined by a pedal steel that wails then meanders through the song introducing this happy parable of musicians abandoning pop, folk and classical (?), respectively, to hop on the country bandwagon – “the whole world has gone country,” by the end. There’s an insistent backbeat that relates to rock, but the […]
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