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Sound of Falling – 7.6
A very arty, elegiac and cryptic, but not unpleasant, look at women’s lot in a poor East German farmhouse in three or four discreet early 20th-century years, intercut and largely unresolved. It helped that the director warned, this was not a film about plot or characters; it was an experience that we should float along. […]
Song Sung Blue – 8
Music can make you happy, and this film did, over and over. Good songs, sung with joy to enthusiastic audiences, were played to the end but smartly intercut with snippets of the characters’ daily lives, so they never outstayed their welcome. The characters were all people you rooted for (cf. Marty Supreme) and enjoyed being […]
Marty Supreme P.S.
Given the critical accolades tossed at Josh Safdie and Timothee Chalamet’s film, it’s worth recalling, even a month later, the main reasons I labelled Marty Supreme “unwatchable.” 1. Marty’s character, which dominates the film, is so abhorrent any possibility of “enjoying” the movie evaporates. Yes, Chalamet does a remarkable acting job, presumably at Safdie’s direction, of […]
Nuremberg – 6
It’s tricky to make a modern historical drama where the viewer has his own context to compare. It doesn’t help when the American characters played by Michael Shannon and Remi Malek come across as clueless and incompetent, while Russell Crowe’s Hermann Goering is masterful and compelling. But the film seems populated by symbolic figures, not […]
Cover-Up – 6
A somewhat aimless documentary about our era’s most famous investigative reporter, Seymour Hersh. It wanders among clips of stories he covered, a current non-revealing interview and historic shots of him walking, like the directors had trouble coming up with visuals to fill the frame. The film gave me a face and a personality to go […]