Entries by Bob Marshall

Spiderman/Obsession – 3

In an effort to monitor the zeitgeist, I double-featured two of the year’s hottest-at-the-box-office movies yesterday. Spider-Man: Brand New Day bored me out of the theater one hour into its Odyssey-like length. I couldn’t understand the mumbo-jumbo, the all-too-similar action scenes kept arriving like clockwork, and the love interest lacked mystery. In all, it was cartoon-like. We’ve […]

The Samurai and the Prisoner – 3

Reminiscent of The Odyssey in its length, focus on one man, beautiful cinematography, muddled philosophy and lack of narrative drive, this film does nothing than another Kurosawa didn’t do ten times better sixty years ago. Students of 16th-century Japanese history might appreciate the obscure references, but again like The Odyssey, it was Greek to me. […]

The Odyssey – 7

Forgetting for a moment how Christopher Nolan’s movie compares to Homer’s poem, let me react to the film itself. First, it is encompassing–visually, aurally, dramatically. Despite its 280-minute length (with no introductory throat-clearing), I never considered looking at my watch. That said, it could have been shortened 20-30 minutes without losing much. The scenes with […]

A Sad and Beautiful World – 7.6

I don’t know about the beautiful part, but Lebanon under siege was definitely a sad backdrop for a charming romance between unfortunately mismatched lovers. The secondary characters were amusingly overdrawn, which set off the achingly real relationship between the beautiful and accomplished Yasmina and the effervescent but slightly goofy Nino. At the end, though, I […]

Reading Lolita in Tehran – 7

More episodic than dramatic, as befits a memoir. The scenes of oppression in Iran are harrowing and a reminder that strengthening the theocratic government there is not the least of the disastrous consequences of Trump’s misbegotten war. The movie’s star is pretty, but before the end of the overlong film I tired of seeing her […]

The Invite – 9

A masterclass in acting: Penelope Cruz is sensational, but Olivia Wilde, Edward Norton and Seth Rogen make the case that the Academy should add an award for “Ensemble Performance.” The casting is also award-worthy, assuming you can accept the notion that Seth Rogen, like Woody Allen, is attractive to women. That the movie was shot […]

Peter Asher: Everywhere Man – 8.8

A total delight! Not as deep or cinematically artistic as recent films on Elvis, Billy Joel or Bee Gees, but appropriate as hits by Peter and Gordon were lightweight in comparison. Who knew Peter Asher was behind so much great music – I didn’t.

Tuner – 7.5

Four charming lead characters, amusingly evil bad guys, an interesting musical milieu and a calmly propulsive thriller plot make Tuner a fun watch. Dustin Hoffman is a kick, but the acting honors go to Leo Woodall, the latest Brit to take work away from an American. As in Disclosure Day, the ending is manufactured to make […]