Two hours of Jessie Buckley is a treat–what an actress!–but the movie is a bit of an unmodulated slog, careening from dramatic incident to dramatic incident. None of it would matter, of course, if it wasn’t William Shakespeare we were watching (and if you hadn’t read the book you might not realize who “Will” is […]
I’m sorry, but I just couldn’t feel sorry for Bruce, which seemed to be the point of this film. Six years after appearing on the cover of Time and Newsweek, after three Top-5 albums, including the anthemic Born to Run and record-setting concert tours, we’re supposed to think of him as a struggling loner, getting […]
Kelly Reichardt’s latest addition to the slow cinema genre starts off well in a small Massachusetts city, circa 1970, with the totally pleasant Josh O’Connor’s museum heist, but then he and the film have nowhere to go and Reichardt goes there.
Aided by a comb-over, Ethan Hawke transforms to a lost-soul, lost-cause Lorenz Hart lounging in Sardi’s bar on the night that Oklahoma! opens (without him). Bobby Cannavale, Patrick Kennedy, Margaret Qualley and the uniquitous Andrew Scott are excellent foils for essentially a monologue by Hawke/Hart that never goes away. At first it is a bit […]
A propulsive story of domestic revolution that is eerily prescient in Trump’s America. Sean Penn, Benicio Del Toro, Teyana Taylor and Chase Infiniti (as the young Willa) are beyond superb and the action scenes and cast of thousands are directed seamlessly. The hole in the middle, though, is Leonardo DiCaprio, never my favorite actor. We […]
Let’s Love Three hilarious playlets by Ethan Coen (of the Coen brothers) that are so wonderfully raunchy the evening would more appropriately have been called “Let’s Have Sex.” Aubrey Plaza is merely the best of a fine crew of actors, while a delicious off-Broadway troubadour serenades between sets. The humor comes from each character’s own hangups, […]
Like looking at a favorite old scrapbook. No problems were introduced without quickly apparent solutions that enabled one and all to live happily ever after (at least until further collapse of the British Empire).
A clunky movie. Denzel Washington was neither believable nor interesting as a record company executive (think Berry Gordy), and we had to watch him the entire movie. A rare misfire by Spike Lee, based on a Kurosawa film that wasn’t that great to begin with.
A faithful re-creation for the screen of Richard Osman’s charming novel, unfortunately without its charm. Too much plot, too little air for the characters to breathe, and too recognizable actors in the roles, with Pierce Brosnan especially out of place.
What distinguishes America, according to a character in this movie, is “imagination,” which might be another word for greed. Director Tony Tost gives us an array of mid- to low-lifes, the kind you might find at a remote Badlands diner, in a smart, funny take on American dreams, in the language of Quentin Tarantino, which […]
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