A poor sister to Pride and Prejudice, although Daisy Edgar-Jones approaches Keira Knightley for visual pleasure. The plot is confusing for those not conversant with the novel, and while the cinematography is gorgeous, I found it a bit precious and distracting. Watching the movie was like watching a jigsaw puzzle get put together, producing about as […]
Strictly a one-note horror flick that got less and less scary the longer it lingered. There were a few humorous touches a la Weapons, Zach Cregger’s vastly superior prior film, but there was too much of the resident evil that kept getting bigger and bigger until the game was over.
Watched as a postscript to the current Broadway production, this was a delightful recap of the play’s improbable journey from London workshop to cult classic film, interspersed with a biography and interview of Rocky’s creator, Richard O’Brien. It ran off the rails in the last half-hour when it morphed into the story of the film’s midnight […]
Other Desert Cities Dare I suggest that the prime attraction of this production, the wonderful Julia Louis-Dreyfus, was miscast? With her sitcom timing, Elaine-youthful looks, diminutive stature (Alison Janney’s sister, really?), she failed to convey the haughty, matriarchal imperiousness I would have expected in Polly Wyeth. Furthermore, the five characters that she centered as the […]
Rather remarkable how the filmmakers mixed cartoon and human worlds, making both equally realistic, albeit totally absurd. Also remarkable how they brought both sets of characters to an emotional climax, capped and released by the Clash singing “I Fought the Law.” Will Forte and John Cena were pleasures to watch and Wiley Coyote was somehow […]
If you just don’t get something, an endless series of talking heads saying how great it is won’t make it happen. A rapid-fire montage of unrelated birds and bees as a visual background was more distracting than useful–how do you “film” poetry? At least now I know who Mary Oliver was, although I’m no more […]
A sweet short story about a long-forgotten poet working for the Post Office who gets noticed and has a brief moment with a younger generation. The story plays out on Willem DaFoe’s expressively grizzled face and for me was a welcome return to normality from Spiderman. Also welcome was the simpler world these denizens of Greenwich […]
In an effort to monitor the zeitgeist, I double-featured two of the year’s hottest-at-the-box-office movies yesterday. Spider-Man: Brand New Day bored me out of the theater one hour into its Odyssey-like length. I couldn’t understand the mumbo-jumbo, the all-too-similar action scenes kept arriving like clockwork, and the love interest lacked mystery. In all, it was cartoon-like. We’ve […]
Reminiscent of The Odyssey in its length, focus on one man, beautiful cinematography, muddled philosophy and lack of narrative drive, this film does nothing than another Kurosawa didn’t do ten times better sixty years ago. Students of 16th-century Japanese history might appreciate the obscure references, but again like The Odyssey, it was Greek to me. […]
Forgetting for a moment how Christopher Nolan’s movie compares to Homer’s poem, let me react to the film itself. First, it is encompassing–visually, aurally, dramatically. Despite its 280-minute length (with no introductory throat-clearing), I never considered looking at my watch. That said, it could have been shortened 20-30 minutes without losing much. The scenes with […]
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