Van Dyck at the Frick
The exhibition of works by Anthony Van Dyck at the Frick Collection is really two shows – one extraordinary, one middling. In three downstairs rooms and one small cabinet upstairs, the Frick has assembled works on paper from the world’s great collections that show how perceptive and nimble, not to mention brilliant, Van Dyck was […]
NY Notes – April ’16
Our quick visit to New York mid-April was triggered by and centered on the Tribeca Film Festival’s world premiere of Haveababy, a Serin-produced documentary on in vitro fertilization that is reviewed elsewhere, very favorably I might add, on this website. In the lulls before and between screenings, I checked out and checked off a few […]
New York Notes
New York in November is a hotbed of art action, but in addition to the major shows and events – Picasso at MoMA, Stella at the Whitney, Egypt at the Met and the Print Fair at the Armory – there were the smaller, personal moments that were perhaps even more memorable. Five of them follow: […]
Habsburg Splendor in Atlanta
[fusion_text] I finally caught up with Habsburg Splendor, the touring exhibition that we previewed so memorably with the MIA group in Vienna exactly one year ago, and was hugely disappointed, partly because it paled so in comparison to what we’d seen at the Kunsthistorische but mostly because of the drab display at the High Museum […]
Reimagining Modernism
[fusion_text]I don’t mind it when museums shake things up, to make you look at familiar works afresh and introduce new ones, but what the Met has done with its Modernism collection (1900-1950) is to destroy the context of its art without adding any new focus, leaving pieces dangling like isolated leaves on a naked branch. […]
