The Cleveland Museum of Art isn’t imposing from the outside–arriving by taxi it was hardly apparent where the entrance was, the opposite of the grand entries of America’s other great museums: the Met, the National Gallery, the BMFA, Mia, etc. Instead, the statement comes inside, where Rafael Vinoly has created a vast glass-covered plaza that […]
Random thoughts from a brief visit to the National Gallery of Art last Saturday (3/23/24): The addition and integration of works from the Corcoran Gallery give the National Gallery one of the strongest, if not the strongest, collections of American art in the country. Despite the softening of the auction market for works in this […]
I’ve always found the MFA to be just about the hardest art museum to navigate. It also used to be the fustiest. On a day visit last week I found numerous design improvements, in line with user-friendly trends; but with many galleries closed for reinstallation or upgrading I was just as confused going from one […]
Ever since the George Floyd tragedy, cultural and media institutions have been making up for a century of neglect by spotlighting Black-related art and artists. The relatively staid Metropolitan Museum of Art in New York has ridden the wave, first with a new “Afrofuturist” period room, then a dossier exhibition around Why Born Enslaved!, a […]
Museum- and gallery-going were necessarily down in 2021, thanks to Covid, but we were fortunate to have our base in New York and family in San Francisco, giving us a chance to catch some of the season’s big shows and rub shoulders with smaller venues along the way. In retrospect, the year doesn’t look so […]
I wondered, as I wandered through the many galleries of the Philadelphia Museum of Art, how long will we have this kind of encyclopedic, time-specific museum? Or more to the point, how long will we have them outside New York and a few other world capitals? You have to remember that the encyclopedic museum (EM) […]
A major museum exhibition can have two justifications: it can make a novel or interesting point, or argument; or it can present great, or at least interesting, objects. By those measures, The Renaissance Nude at the Getty Center was a disappointment. If there was a point, it was hardly novel or coherent. Despite social inhibitions, […]
For more than 50 years Claude Monet has been one of my favorite artists, but while there are works I like more than others, I had never systematically analyzed his different periods vis-à-vis my taste. Three recent experiences, however, have shown me that I don’t like all Monets and led me to rate the “good” […]
The age-old, unanswerable question came to mind as I pondered two equally compelling objects on back-to-back days in San Francisco (8/13-14/16). The first was the “strandbeest” at the Exploratorium in an exhibit titled “The Dream Machines of Theo Jansen.” There were actually several on display, including one that was operational. Contraptions made largely of PVC […]
[fusion_text] I finally caught up with Habsburg Splendor, the touring exhibition that we previewed so memorably with the MIA group in Vienna exactly one year ago, and was hugely disappointed, partly because it paled so in comparison to what we’d seen at the Kunsthistorische but mostly because of the drab display at the High Museum […]
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