More Winslow Homer
Winslow Homer painted people, but he was not a portraitist. He painted mountains and rivers, but he was not a landscape artist. He painted activities, but he was not a genre artist. In 19th-century American art, there was no one like him. He stands alone. He was a storyteller, but he rarely told you what […]
American Art at SBMA
The post-van Gogh rehang of the permanent galleries at SBMA features a selection of largely 19th-century American painting (perhaps in fulfillment of the 1958 commitment to Preston Morton in consideration of her gift of 50 paintings). While maybe a third were seen in the 2012 exhibition, “Scenery, Story, Spirit,” most of the others are new […]
NY Art Notes ’22
Two months away from Santa Barbara were never far from art, and although it is excruciatingly difficult to translate visual experiences into words, I can at least record my reactions as I recall them. First, the Metropolitan Museum of Art is my home base away from home, a five-minute walk from our apartment on 79th […]
Homer at the Met
Ever since the George Floyd tragedy, cultural and media institutions have been making up for a century of neglect by spotlighting Black-related art and artists. The relatively staid Metropolitan Museum of Art in New York has ridden the wave, first with a new “Afrofuturist” period room, then a dossier exhibition around Why Born Enslaved!, a […]
Van Gogh in Santa Barbara
The exhibition “Through Vincent’s Eyes” at the Santa Barbara Museum of Art disabused me of two long-held ideas about Van Gogh’s art: 1. That his style was a reaction to Impressionism, and 2. That he never painted a bad picture. Before I get into my critique, however, I should commend curator Eik Kahng and the […]