Four hours on VIP Thursday at the 2024 iteration of Frieze LA left me unqualified to make informed judgments but still with reactions, however superficial. The initial reaction, as often at such a fair, was being overwhelmed. The crowd was huge, the booths were packed atop each other and there was no easy way to […]
A quick shout-out to LACMA for putting on at least four very interesting temporary exhibitions while the main campus is closed for construction (2024 seems an optimistic completion date). The main attraction for me was the show of the Transcendental Painting Group (TPG) that came from the Crocker in Sacramento and is, apparently, the first […]
Just as the Guggenheim vaulted Hilda Am Klimt from obscurity to the canon in 2019, it has put on a retrospective for Gego (Gertrude Goldschmidt) that will require her future inclusion in any survey of 20th-century abstraction, and not just listings of female or South American artists. With her wire sculptures she invented not just […]
Two months away from Santa Barbara were never far from art, and although it is excruciatingly difficult to translate visual experiences into words, I can at least record my reactions as I recall them. First, the Metropolitan Museum of Art is my home base away from home, a five-minute walk from our apartment on 79th […]
The opening galleries at both the Whitney and Philadelphia were full of people and Jasper Johns’s greatest hits from the late ’50s: targets, flags, numbers and maps. By the end, the crowds had dissipated and one wondered if the same could be said for Johns’s art. I admit that I had struggled, during the latter […]
Three days, three modern and contemporary art fairs in New York with no duplication, except for a lot of Warhol at each. TEFAF was far and away the classiest, in a beautifully decorated 67th St. Armory, tulips overhead and white wall hangings. This was not a fair to buy at, except for the very wealthy […]
We saw two new modern-art museums this summer: the Broad in Los Angeles and SFMOMA in San Francisco. Both feature spectacular buildings and predictable art; both are worth the trip. The Broad, for obvious reasons, is much the smaller: it houses one couple’s collection; whereas SFMOMA has history and a whole, very rich, city supporting […]
Ever since I saw Rivers and Tides, the 2001 film documenting his works, I have been a fan of Andy Goldsworthy, the preeminent “site-specific artist” of our time. Now 59, the British-born Goldsworthy has for some time “draw(n) his inspiration from place and creates art from the materials found close at hand, such as twigs, leaves, […]
MassMOCA is featuring an exhibition of new Canadian artists which, while not purporting to define an entire country, does give an idea of current artistic sensibility north of the border. I had a marvelous time and, looking back, was struck by the fact that six of my favorite seven pieces had moving parts. (I didn’t […]
I caught up with Christian Marclay’s The Clock again this weekend, this time at one of its new permanent homes, Boston’s MFA. The couches were comfy and the exhibition space was off the beaten track; the audience was small but committed and the viewing experience a good one. The second time around, the novelty of […]
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