Entries by Bob Marshall

Highest 2 Lowest – 5

A clunky movie. Denzel Washington was neither believable nor interesting as a record company executive (think Berry Gordy), and we had to watch him the entire movie. A rare misfire by Spike Lee, based on a Kurosawa film that wasn’t that great to begin with.

Thursday Murder Club – 5

A faithful re-creation for the screen of Richard Osman’s charming novel, unfortunately without its charm. Too much plot, too little air for the characters to breathe, and too recognizable actors in the roles, with Pierce Brosnan especially out of place.

Americana. – 8

What distinguishes America, according to a character in this movie, is “imagination,” which might be another word for greed. Director Tony Tost gives us an array of mid- to low-lifes, the kind you might find at a remote Badlands diner, in a smart, funny take on American dreams, in the language of Quentin Tarantino, which […]

Sorry, Baby – 7

Very indie. Writer/director/star Eva Victor is charmingly quirky (or quirkily charming?) as an English professor (really?), her inexplicable bff (Naomie Ackie) not so much. The random chapters reminded me of a collection of ’60s-era New Yorker short stories. Once I got over the seeming aimlessness and screechy sound I settled in and felt proud to […]

Weapons – 7.5

This six-chapter horror film had me alternately cringing in my seat and laughing out loud. Writer/director Zach Cregger adroitly handled the mashup of quotidian and supernatural with a style that was engaging and captivating and kept you from questioning the absurdity of it all, right up to the explosive ending. Josh Brolin and Julia Garner […]

F1 – 7.8

It was formulaic, but why shouldn’t it be? It’s fun to immerse yourself in a different world, and Formula 1 is that.  Not understanding the sport, I couldn’t tell how accurate it was or even understand what was happening, which was probably a plus. Instead I could just admire Brad Pitt being Brad Pitt, the […]

And So It Goes (Part 1) – 8

A stunningly well made biopic that not only captures Billy Joel, it explains. The filmmakers weave together archival footage, contemporary interviews, talking heads, studio sessions, concert performances and critical comments, all with the nonpareil soundtrack of Joel’s first six albums. His first wife Elizabeth emerges as the hero of his career amid struggles that were […]

Eddington – 5

The first film I’ve seen to baldly tackle the political dysfunction/divide/disaster that is the American fringe today, hitting bang-bang-bang on Covid masks, Black Lives Matter, gun culture, cults, indigenous rights, political distortion–what have I left out? Perhaps in trying to do too much, the plot is full of unresolved red herrings and relies on mysterious […]