Entries by Bob Marshall

Didi – 5.5

A well made movie about the awkward moments of ninth grade from the perspective of a first-generation Chinese immigrant. Unfortunately, the ninth grader at the center of everything, a surrogate for the director Sean Wang, is neither charming nor interesting, so the viewer emotional involvement is missing. And ninth grade, after all, holds only so […]

Janet Planet – 5.5

As with her (much better) plays, Annie Baker’s film debut consists of people talking, and figuring themselves out. Unfortunately, all they talk about is their relationships, none of which are that interesting. This is sort of an Inside Out 2 but with sort of grownups.

Inside Out 2 – 6

Our 7-year-old granddaughter said she enjoyed it, although the jokes were coming faster than we could easily catch. I think I liked the first film better, but that may be because the early teenage years just aren’t fun for anyone.

Touch – 7

A lovely, gentle romance between a charming and gorgeous Icelandic man and a lovely and demure Japanese woman, told through flashbacks to 1969 London from a 2020 present. Besides whetting my appetite for Japanese cuisine, the film almost made me nostalgic for the days of Covid lockdown.

Last Summer – 7

If you’re going to have an affair, it’s probably better not to have it with your teenage stepson. That seemed to be the message of this very French film: lots of relatable characters, long takes, sex and bad decisions. It would have been easier to take if Theo, the 16-year-old bundle of animal magnetism, had […]

Taking Venice – 5

A disjointed melange of mostly still photos for a documentary that purported a big story–scandal at the Venice Biennale–that never showed up. What was Leo Castelli’s involvement? Who was Rauschenberg’s competition? Wasn’t he the “best painter” there? What did his later ventures–e.g., ROCI–have to do with anything? Why talking heads who arrived on the scene […]

Green Border – 8.5

A sober and sobering account of a Syrian refugee family’s attempt to reach Sweden via Belarus and Poland, two countries that kicked them around, and worse, like political footballs. Agnieszka Holland crafts her film, shot in black-and-white after an opening view of, presumably, the green border, in chapters told from the perspectives of 1. the […]

The Bikeriders – 8

A movie based on a book of photographs is a novel concept (if you pardon the anti-pun). Accordingly, it describes a place and time and a particular subset of people: bikeriders. Enough happens to keep the story moving, but without the dramatic tension of a plot-driven film. It’s watching people. And what people! Jodi Comer […]

Hit Man – 6.5

Unfortunately, I’m a little Glen Powelled out after Anyone But You, hot on the heels of his flyboy roles in Top Gun: Maverick and Devotion. The various disguises he put on for his hit man job didn’t hide the pretty-boy charm that seemed his main contribution. Adria Arjona was new and good, and the supporting cast was […]

The Idea of You – 7

A love poem to Anne Hathaway, by Anne Hathaway, but what’s wrong with that? There’s a serious subtext of gender-based hypocrisy: society (i.e., social media) wouldn’t shame a 40-year-old man for an affair with a 24-year-old woman as they attack Hathaway’s character. But if the man has a 16-year-old daughter it gets a little trickier. […]