A simply shot, mesmerizing courtroom drama, semi-opaque as a drama but evocative of ideas. Of maternity, of personal responsibility, of colonialism, of man and woman, of race, more of race, of journalistic objectivity. From our viewpoint, it is also curious to observe and try to understand the French criminal justice system (with six seasons of Spiral […]
Utterly remarkable footage of the last days of the Afghan war, embedded with American troops/advisers in Helmand Province, then with the Afghan forces after the Americans withdrew. The story wasn’t much, and there were perhaps too many scenes of soldiers looking at each other, talking on the phone, and just thinking; but the portrait it […]
A one-trick pony on an unpleasant journey. I take it this was based on Annie Ernaux’s experience seeking an illegal abortion in 1963 France (similar in monotone to her 2002 memoir which I’m currently reading about her affair with a Russian diplomat). The acting was impeccable and realistic, a la Francaise, but the film wasn’t […]
What a spectacle, what a production! If there was an ounce of originality in the story or characters, however, I missed it. The dialogue might as well have been cartoon bubbles; action scenes came straight from Moby Dick, Wizard of Oz and Titanic, just to name obvious sources. Any drama was dissipated by the three-hour length. And […]
As movies showing the horror of war go, this is hard to beat–more realistic and thus more powerful than 1917. In fact, that is perhaps the sole purpose of the film. There are characters, but we are told nothing about them, any more than we know about the pawn or the knight on a chessboard. The […]
This was three films in one, but none dug as deeply as I would have liked. Nan Goldin’s crusade to make museums expunge the Sackler name bookended the documentary, but we never saw how the museums grappled with the issue. Second was Nan Goldin’s loveless upbringing, which produced the film’s title and her sister’s suicide, […]
It has become traditional at year’s end that I look back and select ten memorable films I’ve seen in the preceding twelve months, and I shall hew to tradition, even though a look back convinces me that this was the worst year of cinema I can remember. Was it a hangover from the pandemic? A […]
A silly cartoon of a film about an unappealing, unattractive 14-year-old who comes of (romantic) age in 13th century England. I couldn’t wait for it to end, so I didn’t. Monty Python, where art thou?
A fairly literal relocation of Ikiru, by Akira Kurosawa, from Tokyo to London, with the estimable Bill Nighy playing the role created by the incomparable Takashi Shimura. As I watched, all I could see were the echoes of the Japanese original (somewhat like seeing David Copperfield as I read Demon Copperhead). By cutting 40 minutes from its source, the […]
This was three things: a history lesson, a collection of fine roles for Black actors, and a bravura performance by Danielle Deadwyler as Emmett Till’s mother. The challenge was creating interest in a story that is already familiar–and not a pretty story, at that. For me, it explained why the case of Emmett Till, among […]
© Copyright 2019 Robert Marshall | All Rights Reserved.