Entries by Bob Marshall

Barbie – 8

A total goof with a popular message: give the women a chance! BarbieLand is a bit like Schmigadoon meets The Truman Show, and its main feature is a bevy of Barbies, led by Margot Robbie, whose gorgeousness is enough of a reason to see the movie. Ryan Gosling as Ken, not so much. The plot […]

Oppenheimer – 9

Big–in themes, personalities, production values, cast, drama, historical significance and lessons for today. Three hours and I never looked at my watch. Christopher Nolan’s trademark nonlinear storytelling technique–confusing and distracting in Memento and Tenet, inter alia–works to heighten the tension in scenes with more conversation than action. With almost 80 named characters it can be a […]

The Night of the 12th – 6

It takes away suspense when the film announces at the outset that it’s about a murder that won’t get solved. The rest of the movie shows why other movies eschew that route. What, then, was this about? The relationships? Ho-hum. The characters? Not very interesting. Societal issues? Not very deep. Mildly interesting as a French […]

The Innocent – 8

A cleverly plotted, very funny crime caper peopled with delightfully idiosyncratic characters. Every moment is fun an the relationships are touching. Only in French cinema would the robbery target be a shipment of caviar.

Past Lives – 6.5

A sweet love story, although how sweet depends on one’s view of actress Greta Lee, whom I found more off-putting than charming. Maybe it’s a prejudice against Asian actresses (see Hong Chau in Showing Up and whoever was in Crazy Rich Asians and Everything Everywhere All At Once), but I missed the vulnerability of Julia Roberts, et al. […]

Vengeance – 6.5

A fun cross-cultural spoof, with a bright-lights New Yorker writer turning his trip to West Texas into a podcast, like he’s visiting a zoo, only to find that the animals can not only talk but have a lot on their minds.  The lesson in self-awareness is less interesting than the characters he runs into, and if […]

Showing Up – 4

A textbook example of “slow cinema,” which features long takes and nothing happening, Showing Up does not much more than its title. Michelle Williams plays a joyless depressive from a dysfunctional family who jousts with an unpleasantly aggressive Hong Chau. The main plot point involves a pigeon, which for director Kelly Reichardt is a step down […]

Close to Vermeer – 8

A small movie, like the best Vermeer paintings, and if not a similar masterpiece, one that told a fun story with clarity and the borrowed beauty of all the Vermeers. Just showing close-ups of the paintings in the Rijksmuseum exhibition would have been worth the admission price, but beyond the final show were two subplots […]

Broadway 5/23

Ladies ruled the stage for our spring visit to New York, with the Tony going to Jodie Comer in Prima Facie, a legal delicacy and one-woman tour de force. Jessica Chastain was formidable in a necessarily smaller but no less affecting role in A Doll’s House. Jessica Hecht and Laura Linney complemented each other in […]

You Hurt My Feelings – 7.5

A movie of small moments, two couples in Manhattan with regular Manhattan jobs, like we used to get from Woody Allen. No guffaws, but lots of little laughs and a pleasant ride along a low-key plot. For me, Julia Louis-Dreyfus was too much “Elaine” to be convincing or particularly interesting and the happy ending was […]