As movies showing the horror of war go, this is hard to beat–more realistic and thus more powerful than 1917. In fact, that is perhaps the sole purpose of the film. There are characters, but we are told nothing about them, any more than we know about the pawn or the knight on a chessboard. The […]
This was three films in one, but none dug as deeply as I would have liked. Nan Goldin’s crusade to make museums expunge the Sackler name bookended the documentary, but we never saw how the museums grappled with the issue. Second was Nan Goldin’s loveless upbringing, which produced the film’s title and her sister’s suicide, […]
It has become traditional at year’s end that I look back and select ten memorable films I’ve seen in the preceding twelve months, and I shall hew to tradition, even though a look back convinces me that this was the worst year of cinema I can remember. Was it a hangover from the pandemic? A […]
A silly cartoon of a film about an unappealing, unattractive 14-year-old who comes of (romantic) age in 13th century England. I couldn’t wait for it to end, so I didn’t. Monty Python, where art thou?
A fairly literal relocation of Ikiru, by Akira Kurosawa, from Tokyo to London, with the estimable Bill Nighy playing the role created by the incomparable Takashi Shimura. As I watched, all I could see were the echoes of the Japanese original (somewhat like seeing David Copperfield as I read Demon Copperhead). By cutting 40 minutes from its source, the […]
This was three things: a history lesson, a collection of fine roles for Black actors, and a bravura performance by Danielle Deadwyler as Emmett Till’s mother. The challenge was creating interest in a story that is already familiar–and not a pretty story, at that. For me, it explained why the case of Emmett Till, among […]
A buddy film about fighter pilots and their planes that had the bad timing to be released the same year as Top Gun: Maverick. Its only ace was the (true) story of its Black hero overcoming racial discrimination in the military during the Korean War. Curiously, however, Jesse Brown was portrayed by Jonathan Majors with a […]
This is all Emma Corrin – and you certainly see all of Emma Corrin. She is gorgeous and affecting as a young woman consumed by her own sexuality. By contrast, the two men in her life are underdrawn, or poorly drawn; and the larger themes involving gender, class and society, that I expect are developed […]
A portrait of the (cinema) artist as a young man, demonstrating the power of movies, even as we sat in a mostly empty theater. The story was sweet, if conventional, and well told, per usual for Stephen Spielberg. One wonders, though, how it would play if the viewer didn’t know beforehand that the story was […]
Talk about a slow movie, this one (on Netflix) practically came to a halt several times, until it finally did. Jennifer Lawrence was fine, and to her credit she didn’t affect a New Orleans accent; can’t say the same about Brian Tyree Henry, though, to the extent I could understand him. Beyond good work from […]
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