Having finally seen Women Talking I can now comment on the full slate of Oscar nominations for Best Picture, as well as many of the subcategories. Fortunately, my favorite English-language movie of the year, The Banshees of Inisherin, is also the leading Oscar nominee, with nods for Director, Actor, Supporting Actor and Supporting Actress as well as […]
With cinematography by Walker Evans, dialogue by Kahlil Gibran and star turns by Ben Whishaw as Anthony Perkins and Rooney Mara as the non-Virgin Mary, this film had serious and artsy engraved on every tableau. Unfortunately, it just didn’t connect with me. I couldn’t tell if it was a fable, a parable, a women’s dream, […]
For an action movie directed at the short-attention-span generation, this was one slow film. Every scene between fights dragged on; as for the predictable fights, they were without visceral emotion and internal logic, as was the rest of the film. Deep looks of concern and longing mainly recalled their comic book source. The ending was […]
A simply shot, mesmerizing courtroom drama, semi-opaque as a drama but evocative of ideas. Of maternity, of personal responsibility, of colonialism, of man and woman, of race, more of race, of journalistic objectivity. From our viewpoint, it is also curious to observe and try to understand the French criminal justice system (with six seasons of Spiral […]
Utterly remarkable footage of the last days of the Afghan war, embedded with American troops/advisers in Helmand Province, then with the Afghan forces after the Americans withdrew. The story wasn’t much, and there were perhaps too many scenes of soldiers looking at each other, talking on the phone, and just thinking; but the portrait it […]
A one-trick pony on an unpleasant journey. I take it this was based on Annie Ernaux’s experience seeking an illegal abortion in 1963 France (similar in monotone to her 2002 memoir which I’m currently reading about her affair with a Russian diplomat). The acting was impeccable and realistic, a la Francaise, but the film wasn’t […]
What a spectacle, what a production! If there was an ounce of originality in the story or characters, however, I missed it. The dialogue might as well have been cartoon bubbles; action scenes came straight from Moby Dick, Wizard of Oz and Titanic, just to name obvious sources. Any drama was dissipated by the three-hour length. And […]
As movies showing the horror of war go, this is hard to beat–more realistic and thus more powerful than 1917. In fact, that is perhaps the sole purpose of the film. There are characters, but we are told nothing about them, any more than we know about the pawn or the knight on a chessboard. The […]
This was three films in one, but none dug as deeply as I would have liked. Nan Goldin’s crusade to make museums expunge the Sackler name bookended the documentary, but we never saw how the museums grappled with the issue. Second was Nan Goldin’s loveless upbringing, which produced the film’s title and her sister’s suicide, […]
It has become traditional at year’s end that I look back and select ten memorable films I’ve seen in the preceding twelve months, and I shall hew to tradition, even though a look back convinces me that this was the worst year of cinema I can remember. Was it a hangover from the pandemic? A […]
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