Entries by Bob Marshall

The Velvet Underground – 8

Directorially brilliant, Todd Haynes’s portrait of the seminal punk rock group packs the wallop of the Velvets’ best music. He mixes archival footage from the era with wonderful modern interviews, all the while explaining how their songs came to be and, best of all, how they sounded. Like many, I knew three or four of […]

Parallel Mothers – 7.8

Not a major Almodovar, but any story he chooses to tell is worth watching, and every minute spent with Penelope Cruz is a pleasure. The story of the two mothers and their babies is gripping, seemingly enough in itself for a film. The story of Franco’s victims is also moving, but what does one story […]

Azor – 5

A thriller recounting the exploits of…a Swiss private banker, who is eager, if not desperate, not to lose his accounts. The most interesting character is his predecessor, who is mentioned by everyone but does not appear in the film. Cigarette smoking is the closest things come to action. As a portrait of the Buenos Aires […]

Pre-Oscar Choices

Before being influenced by Academy voters, here are my favorites for Oscars this year. An updated post will appear once the nominations are out and maybe after I’ve seen a couple more of the designated films. Best Picture Drive My Car Belfast A Hero I’m Your Man Hand of God Power of the Dog The […]

Wheel of Fortune and Fantasy – 7.5

Three short films consisting entirely of extended conversations, a Japanese My Dinner with Andre or, more exactly, Drive My Car without action. I have never seen a movie that would translate so seamlessly to the stage yet felt authentically cinematic. The actors fully inhabited their roles, although as they were Japanese it’s hard for me to judge. […]

Nightmare Alley – 5

I realize that smoking was more common in 1941, but why did Guillermo del Toro put cigarettes in almost every scene of this movie? It’s unneeded as an acting crutch, and it diverts the viewer’s (or at least my) focus from the story: what must his breath smell like when he kisses her?, I wonder […]

Munich: The Edge of War – 7.5

A totally engaging if fanciful account of events surrounding the Munich conference of 1938 which hews to known historical facts and lends itself to a revisionist assessment of the agreement’s merits. The armature of the Chamberlain-Hitler negotiations supports an engaging fictional intrigue involving recent Oxford grads with minor positions in England’s and Germany’s ministries. This […]

Flee – 6.5

The first-person story of a young refugee fleeing Afghanistan in 1984 is a sure-fire heart-tugger, but at the moment it mainly reminded me of man’s inhumanity to man and our failings as a species. The comic-novel format was curious at best, less and less satisfying as the film went on. And it did go on […]

Bergman Island – 7

A dreamy travelogue through Ingmar Bergman’s island, Faro, and a screenwriter’s mind. Fortunately, she is played by Vicky Krieps (how the movie’s blurb could call her an “American” beats me) and in the movie-within-a-movie by Mia Wasikowska, both of whom lay out the uncertainties and difficulties of human relationships in full view. When you try […]