Before being influenced by Academy voters, here are my favorites for Oscars this year. An updated post will appear once the nominations are out and maybe after I’ve seen a couple more of the designated films. Best Picture Drive My Car Belfast A Hero I’m Your Man Hand of God Power of the Dog The […]
Three short films consisting entirely of extended conversations, a Japanese My Dinner with Andre or, more exactly, Drive My Car without action. I have never seen a movie that would translate so seamlessly to the stage yet felt authentically cinematic. The actors fully inhabited their roles, although as they were Japanese it’s hard for me to judge. […]
I realize that smoking was more common in 1941, but why did Guillermo del Toro put cigarettes in almost every scene of this movie? It’s unneeded as an acting crutch, and it diverts the viewer’s (or at least my) focus from the story: what must his breath smell like when he kisses her?, I wonder […]
A totally engaging if fanciful account of events surrounding the Munich conference of 1938 which hews to known historical facts and lends itself to a revisionist assessment of the agreement’s merits. The armature of the Chamberlain-Hitler negotiations supports an engaging fictional intrigue involving recent Oxford grads with minor positions in England’s and Germany’s ministries. This […]
The first-person story of a young refugee fleeing Afghanistan in 1984 is a sure-fire heart-tugger, but at the moment it mainly reminded me of man’s inhumanity to man and our failings as a species. The comic-novel format was curious at best, less and less satisfying as the film went on. And it did go on […]
A dreamy travelogue through Ingmar Bergman’s island, Faro, and a screenwriter’s mind. Fortunately, she is played by Vicky Krieps (how the movie’s blurb could call her an “American” beats me) and in the movie-within-a-movie by Mia Wasikowska, both of whom lay out the uncertainties and difficulties of human relationships in full view. When you try […]
An acting clinic by Olivia Colman and David Thewlis. We know the ending from the start but can’t take our eyes off the road to get there. A 4-episode series, which is my favorite length.
Powerful and sleek, this compressed Macbeth begins in intensity and never lets up. Denzel Washington and Frances McDormand are good, not great, as the title couple (and closed captioning was an aid in following the dialogue). The black-and-white cinematography, modernist architecture and insistent score create an atmosphere of constant foreboding. Kathryn Hunter’s “Sisters” helps, too. The […]
The saga of “Salvador Mundi” by (perhaps) Leonardo da Vinci is the art story of the decade, and this documentary sufficiently marshaled the critical talking heads and visual evidence so that the viewer (i.e., me) felt he could make intelligent sense of what happened and, more importantly, what the painting is. Other than the slippery Yves Bouvier, […]
Cook-a-little, talk-a-little, cook-a-little, talk-a-little, cheep-cheep-cheep, talk-a-lot, cook-a-little-more. For a non-foodie, there was a lot of same in this documentary recounting of Julia Child’s admittedly amazing career. There were occasional plot twists–Julia’s derision of nouvelle cuisine, her support of Planned Parenthood–but they disappeared as abruptly as they arose. The movie announced its theme at the outset […]
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