Enough already of movies about losers, fathers as bullies and situations that make you scream, just leave, for Pete’s sake. If I want to be miserable I can read the New York Times, I don’t need to spend two hours in a movie theater. The film’s structure resembled Pain and Glory, but that may be […]
This is the third “whistleblower” film I’ve seen this week. Whereas the first two – The —Report” and “Dark Water” – were unremittingly serious, Laundromat is a comedy, with Gary Oldman and Antonio Banderas hamming it up as Mossack and Fonseca, name partners of the Panama City law firm recently exposed for its tax-evasion and money laundering (hence the […]
Mark Ruffalo reprises his role from Spotlight, except this time it’s just him. Although “based on a true story,” or at least a magazine article, it seemed so unlikely that a brand new partner would take on this case just because the plaintiff knew his “Grammer,” and even more impossible that he could conduct the research, […]
More important as a sociological statement than a movie Queen & Slim was ripped from the headlines of white police abusing blacks, and the odds stacked against blacks in that situation. Daniel Kaluuya was as wonderful as he was in Get Out, and his relationship with Jodie Turner-Smith was original and charming. Their encounter with […]
What was interesting about Marriage Story was the relationship between Adam Driver and Scarlett Johansson, two of my favorite actors. The attraction was clear, but so was the inevitable conflict. You didn’t see one as right, the other wrong; or one good, the other bad. You saw two individuals – fortunately, talented – who each needed, or […]
No redeeming social value. Weak acting (except Julia Stiles, who appeared to drop in from a different movie), threadbare plot (no suspense or even forward momentum), endlessly repeating scenes (strip club, strip club backstage, ludicrous sexual encounters), unsympathetic characters (sex club customers and stripper-hustlers), plus gratuitous cartoon effects (the stripper who continually vomited). Jennifer Lopez […]
Scarlett Johansson and Adam Driver both give remarkably sensitive portrayals of a couple who love each other but can’t get along, and your sympathy slides from one to the other in the world of grey that real people inhabit. Everyone else, oddly enough, is a caricature. This sets the stars apart but ultimately cheapens the […]
As opposed to JoJo Rabbit, which tried – unsuccessfully, in my view – to mix slapstick with serious matter, Knives Out never faltered from its tone: spoof. The whodunit plot clicked into place marvelously, and all the characters got what they deserved , unless you consider the 85-year-old patriarch’s slitting his throat to have been a tad […]
An inventive mishmash of relationships with different, and largely incompatible, tones: JoJo and his friend Yorkie – traditional comic; JoJo and his mother (Scarlett Johansson, why?) – serious and tragic; JoJo and Adolf Hitler – absurdist comic; JoJo and Elsa – sweetly romantic; JoJo and Captain K (wonderful Sam Rockwell) – slapstick; JoJo and Jews […]
Robert DeNiro is an emotional black hole at the center of this 3-hour gangster epic. He is the narrator, speaking (to whom?) from a wheelchair in his nursing home, but I never felt anything from or about his extraordinary journey from trucker to hitman to union boss to convict to relic, not from his relationships to […]
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