Entries by Bob Marshall

New York Theater ’17

The month before the Tony Awards we checked into the New York theater scene with a vengeance. I can’t say we’ve been overwhelmed so far – seven down, two shows to go – but we’ve mainly had a good time. I think in the future, though, I will be a little less taken in by […]

The Lost City of Z – 5

Supposedly based on a novel, The Lost City of Z seemed more likely to have been based on a comic book. The lack of sophistication and subtlety in plot and acting was on a par with Brad Pitt’s performances in, inter alia Inglorious Basterds and, more recently, Allied. Imagine my lack of surprise, then, when […]

Get Out – 8

A totally fun horror film, with just the right amount of sci-fi mumbo-jumbo and tension-breaking humor. Allison Williams is charming, until she isn’t; Catherine Keener and Bradley Whitford are wonderfully debonair parents, until hell breaks loose. The racially charged setup – white girl bringing black boyfriend home for the weekend – adds tension and a […]

The Hero – 5

A little Sam Elliot is a delight to watch. An entire movie with nothing but closeups of Sam Elliot is rather too much. The story – an aging cowboy movie star given new life by a young girlfriend and a viral video – is neither deep nor plausible, and the secondary characters don’t do much […]

The Cage Fighter – 4

A not terribly well made documentary about a not terribly interesting man engaged, not terribly successfully, in mixed martial arts – something I’m not terribly interested in and certainly don’t enjoy watching. The filmmaker took life as he found it – and the access he achieved was remarkable; not every life, however, is worth a […]

The Salesman – 8

(fuller review TK). Real-world cinema, in this case from Iran: no special effects, no histrionics, just real people facing real situations, making choices that the viewer can admire or criticize. In other words, we are drawn into director TK’s vision and made to question our own feelings and reactions. Here, notably, we admire the lead […]

I Am Not Your Negro – 7

As much a success of style as of content: telling James Baldwin’s story through his own words, both recorded live and read posthumously, with video from the day mixed with later interviews, gave us an unusually rounded and real picture of a man we know more as a reputation.

Toni Erdmann – 1

If not the worst movie of the year, it will take something to beat it. I had read it was that rare thing, a German comedy. We waited 85 minutes for the comedy, but by then the characters were so unpleasant to watch that we gave up. The lead woman was not just unhappy below […]

The Distinguished Citizen – 8

Here was a film to think and talk about: how many themes did you detect, and what were they? An Argentine writer, winner of the Nobel in literature, returns to his small home town in the country – why? to bask in his glory, to refresh his imagination, to experience nostalgia? – or does he? […]

Julieta – 8

No director working today portrays women as well and as beautifully as the Spanish director Pedro Almodovar. Penelope Cruz has been perhaps his most famous muse (in five Almodovar films), but in Julieta he works with Emma Suarez and Adriana Ugarte (the young Julieta) to stunning effect. One or the other is almost always on […]