Timothy Spall is not your normal love interest, in a buddy pic no less; nor is it usual to find a biopic about a soccer coach failing big-time, although the film adds a true-life documentary PS that shows everything coming out right. After portraying Tony Blair and David Frost in somewhat similar equivocal roles, Michael […]
Carey Mulligan was charming and believable (cf. Ellen Page in Whip It) as a 17-year-old who is wise beyond her years, but still a few years short of what is needed. The older man who picks her up, played by Peter Sarsgaard, had a corresponding charm, but there was a hole in the character’s credibility. […]
Just when I thought there couldn’t be a scene more unbelievable than the last, Ellen Page and her Ashton Kutcher boyfriend found an unguarded indoor swimming pool, dove in with all their clothes and shoes on and proceeded to make love in an underwater ballet. Two years after playing a teen in Juno, Page, by […]
See The September Issue, above. Maybe I just need a break from documentaries. I think a documentary just about either Jimmy Page or the Edge, with more concert footage, would have been better. I did like Page’s hair.
No plot. No drama. A superficial look at a superficial subject, although I will say that Anna Wintour commanded the camera. The Devil Wears Prada was better.
Love, fashion – and, oh, a lot of cigarette-smoking by our heroine – is about all there was in this ultimately tiresome period biopic. The story of how Gabrielle (Coco) maneuvered into society had some zip, but it was subsumed in the story of how her forays into personal expression fomented a fashion revolution, which […]
Why would a successful call girl choose suicide, in such deliberate fashion no less? Why would a Catholic priest risk his career, and his life, to stop her, without even knowing who she is? Despite such an unconvincing premise, I thoroughly enjoyed this movie’s indie pace, the encounters between characters, the small jokes (often at […]
Francis Ford Coppola channels Almodovar, but doesn’t quite capture the magic. The setting in La Boca in Buenos Aires is wonderful, as is the Penelope Cruz stand-in, Maribel Verdu. In fact, the black-and-white triangle of Verdu, the young Bennie, and the overly intense Vincent Gallo is the movie’s Pinteresque strength. The flashbacks in contrasting color […]
You don’t go to a Warhol exhibition expecting to see a Vermeer or a Rembrandt, but you don’t expect to find only a Jeff Koons, either. Quentin Tarantino obviously has all the techniques of moviemaking at his disposal, but he failed to engage me emotionally or intellectually, and for every gripping scene there was a […]
As far as the movie goes, it was a lot of buildup, not much payoff. The comparison that came to mind is Man on Wire – assembling the team, figuring out equipment, evading detection, etc. – but there the climax was moments of pure exhilaration and triumph, here it was a scene not too different […]
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