Entries by Bob Marshall

The Perfect Getaway – 4.5

This is a one-trick movie, and once you see that it is a dirty trick being played on the viewer, the modest respect I had for the Hawaiian scenery and Steve Zahn’s character flew out the window. There are “red snappers” – I mean, herrings – galore, but the switcheroo is not of that ilk. […]

(500) Days of Summer -7.5

Glad I saw this with my wife because, whereas I saw Summer as gorgeous perfection, too good for any guy in this movie, my wife saw Summer as vapid, emotionally withholding, not worthy of Tom, whom I saw as a feckless twerp.  Of course, we were both right, which is a testament to the fine […]

Food, Inc. -7

This was an indelicate subject made with surprising delicacy, thanks especially to a compellingly rational lead talking-head, Eric Schlosser. The glaring weakness was the lack of a two-sided argument: none of the big food companies that were vilified – Monsanto, Perdue, Tyson, etc. – were willing to be interviewed, which left me to wonder if […]

In the Loop – 7.9

Hysterically funny, at least the half I was able to catch. It was paced like a sitcom, and the performances were uniformly over-the-top, but the whole fit seamlessly together, like fingers in a glove. An especially deft and novel leitmotif was the role of 20-somethings, pulling and being hit by levers in the power corridors […]

Public Enemies – 4

What an expensively handsome emotional zero! A film eulogizing a murdering bank robber was probably misconceived to begin with, but then to direct both John Dillinger and G-man Melvin Purvis as one-dimensional ensured that our sympathies would not be engaged. The love interest, played by Marion Cotillard, set off no sparks, either. The only character […]

Seraphine – 3

I had never heard of the “naïve” artist Seraphine de Senlis, but discovering at movie’s end that she was a real person explained in large part why this film was so dramatically inert. To take but one example, Wilhelm Uhde had to flee Senlis at the outset of World War I because that actually happened, […]

The Hurt Locker – 8.5

Powerful and suspenseful, beautifully directed and acted. Together with Dexter Filkins’ amazing The Forever War, which I’m currently reading, this gives a picture of the war in Iraq that makes you wonder, over and over, what are we doing there? Who is the enemy we are fighting? It could be anyone – the man with […]

Whatever Works – 8

It’s funny how a movie that starts with such an extraordinarily mundane, realistic view of New York City, not to mention such a depressing view of the human condition, ends up in a total fantasy – everybody happy, everybody fulfilled, and everybody together on that most depressing night of all, New Year’s Eve. But that’s […]

Cheri – 5

A must for lovers of Art Nouveau – dec arts and fashion – optional for the rest, this apparent synthesis of two Belle Epoque novels by Collette defines “longueur”  (languor?) in the person of the title character, played by sole-eyed Rupert Friend. Now, if Michelle Pfeiffer were French, or even sounded, like the estimable Kathy […]

The Hangover – 6.5

As a collection of gags, it had its high points and low points, and the best high points were pretty low, as well.  Most of the art, if it can be so called, devolved from the mixing of the different personality types. In its favor, you didn’t have to wonder how these three, or four […]