Archive for category: Reviews

Every summer needs a fun and innocent rom-com, and The Big Sick is it for 2017, with the crazily adorable Zoe Kazan filling the Julia Roberts/Meg Ryan role. The more recognizable Ray Romano and Holly Hunter are idiosyncratically good as Emily’s parents, while the Pakistani family of Kumail (who plays himself!) is just as enjoyable in their cultural dissonance. There are no big laughs – in fact, the stand-up comics are surprisingly unfunny – and no big drama: we all know Emily will live and love will find a way. The movie’s strength is its consistent tone, pleasant company throughout – and Zoe Kazan.

This seems to be the buzz-generator of early summer, but that speaks more to the paucity of good movies than BD’s merits. Anson Elgort’s moves and cool are appealing, and Jamie Foxx and Jon Hamm are wonderfully scary bad guys, but that’s about it. The soundtrack is loud and unrelenting but doesn’t make much sense, the car chases are repetitive and hardly intellectual, the Atlanta setting is devoid of visual interest, the romance is cliched and predictable, and the plot is slightly less realistic than Wonder Woman.

Silly fun, marred for me by a climactic battle that was befuddling, overlong and beyond absurd. Until then I could enjoy the comic-book characters, especially Chris Pine, and the cinematically familiar settings of World War I trenches, British cabinet meetings and German evil. Gal Gadot got better-looking as the movie progressed, which was good because we saw a lot of her.

In the end, Norman the fixer’s dealmaking pays off for all his friends through his ultimate self-sacrifice, and he ironically achieves the goal of his nemesis, the Israeli Justice Department official, by doing something that makes the world a better place. Or, more likely, all the good things shown on screen are happening in Norman’s imagination, as he says goodbye to the world. Whatever, we have come to identify with this lovable loser, skillfully portrayed by Richard Gere: he’s not exactly admirable, living, as he does, in a land of hopes and half-truths, but he’s not a bad guy, either. The Jewishness of the movie and its Israeli politics made me uncomfortable at first, but they were deftly handled and I came around. Maybe Steve Buscemi’s Italian rabbi was the needed balance.

Seen amid a slew of Broadway productions, it was refreshing to enter a world of real people, real situations and real emotions. Not that the affairs seemed terribly real – it was hard to see what the respective individuals saw in each other – but the characters portrayed by Debra Winger and Tracy Letts were so well acted, and dressed so frumpily, that you scarcely thought of them as movie stars. There were no big stakes here, just people coping with their everyday lives, and you didn’t even particularly care how things worked out, or didn’t. The trick ending produced a smile and a deep thought or two as you left the theater, but it was probably the least real moment of the film.