610. Velazquez Best: Velazquez, Juan de Pareja (1650). A masterpiece of world portraiture: Velazquez’s consummate brushwork comes through the unfortunate glazing, capturing light reflecting off the Moor’s forehead, texturing his skin, revealing itself in the lace color and rich gray background. Note the single red dot that marks the right ear. Worst: Bartolome Esteban Murillo, […]
607. Venice Some periods are just better than others. 16th c. Venice – with Titian, Tintoretto, Veronese and Lotto – is one. The next gallery – 16th c. Northern Italy – is not. Best: Paolo Veronese, Mars and Venus United by Love (1570s). A topflight work (along with its companions at the Frick) by a […]
602. Gold Ground Best: Lorenzo Monaco, David (1405-10). David strikes a commanding pose, holds a ‘cither’ realistically on his knee, and has the most human face in the gallery. The gold background sets off the beautiful green, pink and blue of David’s robes. Worst: Cenni di Francesco di Ser Cenni, St. Catherine Disputing and Two […]
For more than 50 years Claude Monet has been one of my favorite artists, but while there are works I like more than others, I had never systematically analyzed his different periods vis-à-vis my taste. Three recent experiences, however, have shown me that I don’t like all Monets and led me to rate the “good” […]
Without being pretentious but in an effort to look at familiar art more closely, I herewith embark on a project to evaluate the Met’s collection gallery by gallery, selecting the best and the worst – or, rather, my favorite work and least favorite, for I do not confuse my opinion with quality. (To see a […]
Three days, three modern and contemporary art fairs in New York with no duplication, except for a lot of Warhol at each. TEFAF was far and away the classiest, in a beautifully decorated 67th St. Armory, tulips overhead and white wall hangings. This was not a fair to buy at, except for the very wealthy […]
Ten Highlights of Our Trip to Arabia. 1. Museum of Islamic Art (Qatar). Everything I hoped it would be: the ‘essence’ of Islamic architecture filtered through the geometric modernism of I.M. Pei. Wonderfully sited with a breathtaking interior: minimal yet full. Each object was given its own space and spotlight; everything seemed important, except maybe […]
Reflections on visiting the Prado and more: Merely by painting The Spinners, Vulcan’s Forge and Las Meninas, Velazquez earned his place at or near the top of Western Europe’s great artists. His royal portraits are honored next, but it’s hard to say how they would have made his reputation today – especially given the unattractive […]
Mnuchin, a local gallery that presents museum-quality shows, rounded up works from the ’80s by Sean Scully, one of my favorites for his rough, building-block construction works. In the ’80s, however, he hadn’t yet found his winning formula. He was advancing toward it, and that in itself was interesting to see; but compared to his […]
The Met’s second big fall show opened last week, and as usual it is big: something like 40 of the 60 known paintings by Valentin de Boulogne – from the Louvre, above all, plus the Vatican, Indianapolis and several venues in Rome and Florence – have been gathered and, unfortunately, hung together. Unfortunate, because so […]
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