Powerful and sleek, this compressed Macbeth begins in intensity and never lets up. Denzel Washington and Frances McDormand are good, not great, as the title couple (and closed captioning was an aid in following the dialogue). The black-and-white cinematography, modernist architecture and insistent score create an atmosphere of constant foreboding. Kathryn Hunter’s “Sisters” helps, too. The […]
The saga of “Salvador Mundi” by (perhaps) Leonardo da Vinci is the art story of the decade, and this documentary sufficiently marshaled the critical talking heads and visual evidence so that the viewer (i.e., me) felt he could make intelligent sense of what happened and, more importantly, what the painting is. Other than the slippery Yves Bouvier, […]
Cook-a-little, talk-a-little, cook-a-little, talk-a-little, cheep-cheep-cheep, talk-a-lot, cook-a-little-more. For a non-foodie, there was a lot of same in this documentary recounting of Julia Child’s admittedly amazing career. There were occasional plot twists–Julia’s derision of nouvelle cuisine, her support of Planned Parenthood–but they disappeared as abruptly as they arose. The movie announced its theme at the outset […]
Emilia Jones steals your heart in this year’s crowd-pleaser, not just with her winsome charm but her amazing singing, and signing. The plot is over-the-top obvious, with every plot point telegraphed from the moment it’s introduced, but it’s still a fun ride. Troy Kotsur is endearing as the father, but Marlee (“I’m a famous actor”) […]
This was Aaron Sorkin in overdrive, with every scene in a five-day period a crisis, and more issues than I could count. Unfortunately–and this was a big problem–I could never accept Javier Bardem as Desi Arnaz (whom I don’t know). He was too big, too physical, too much Javier Bardem, and I couldn’t sense any […]
A disjointed series of rather fantastical episodes, linked only by the only slightly less fantastical relationship between Gary and Alana, a relationship we didn’t know whether to root for or cringe at. Cooper Hoffman and, especially, Alana Haim were faultless in their roles and fun to watch, remarkable for first-time actors without great looks, and […]
A taut psychological thriller that played out, almost entirely, on Olivia Colman’s face, photographed in intense close-up the whole way. The setting and characters were wonderfully reminiscent of the other Elena Ferrante books I’d read, a surprising achievement for a first-time American director. Jessie Buckley was just as good as the young Leda, but I […]
As a sucker for broad comedy (see, e.g., Monty Python), especially when it leans in my political direction, I enjoyed every minute of Adam McKay’s latest satire. Low expectations, based on word-of-mouth criticism that it was too obvious or just too much, undoubtedly helped. While it’s unfair to single out any of the star-studded cast, […]
A theoretically dramatic story of the cave-diving rescue of 12 trapped boys in Thailand in 2018, this documentary somehow left me cold. Maybe because I compared it to the superior Free Solo by the same directors. Visually, 40% was talking heads, 40% faceless swimmers in dark, muddy water. Many of the action scenes were unannounced […]
A Portrait of the Artist as a Young Man, or Belfast–Italian Style, Paolo Sorrentino’s love letter to growing up in Naples in the 1980s captures La Famiglia in all its frictions and closeness. His style is distinctive: every scene is short and self-contained, without musical background (except once). His characters, too, are distinctive: the lusty […]
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