A true story about the Serbs’ 1995 massacre of Bosnians in Srebenica is told in sidelong fashion by focusing, instead, on the motherly desperation of Aida, a Bosnian translator working for the UN in its “safe haven,” to protect her husband and two sons. Jasna Duricic is sensational as the competent and fiercely determined translator, […]
It’s hard to “rate” a beautifully made film on the end of the world as we know it, just as it is hard to watch it. I don’t need to be reminded what humans have done to climate, habitat and the cause of biodiversity in the last 70 years, but Attenborough’s personal testimony, measured and […]
A workmanlike talkumentary about the Knoedler Gallery’s sale of 60 forged AbEx paintings, in which all sides are presented but only one is credible. There was nothing here I hadn’t read in ArtNews, but it was interesting to see the characters in person, especially gallerist Ann Freedman, whose icy but unconvincing resolve that she wasn’t […]
This is either (1) a biting critique of sex-hungry men (i.e., all men) who take advantage of defenseless women and the women who enable them; and/or (2) a horror film about a psychopath who seeks revenge on all around her through a series of impossible actions. The climax is so implausible that you realize you’d […]
Undoubtedly a worthy film deserving its accolades, but it just didn’t connect. I thought the child actors were lame, the burning barn a melodramatic plot device, and Mr. Yi’s ability to build a working farm almost singlehandedly while holding down another full-time job too unlikely. But what most bothered me was the way every scene […]
This New York Times “Critics Pick” allegedly ” seesaws between comedy and horror,” but being neither funny nor scary, what is left? A cartoonish battle between an icy abuser of senior citizens and a Russian mafioso who exploits mules to traffic drugs. Do we care who wins or survives? Not really. There could be a […]
Another Round Being the Ricardos Belfast Bergman Island Better Days Black Bear C’mon C’mon CODA Cry Macho David Attenborough: A Life on Our Planet The Dig Don’t Look Up Drive My Car The Electrical World of Louis Wain The Forty-Year-Old Version The French Dispatch Hand of God A Hero Herself I Care A Lot I’m […]
Crash. I liked the characters, the interlocking stories, the comments on race relations , but best of all – especially for a Hollywood movie – was the moral complexity:
1.Amal. So far as I know, this was never commercially released, but it was my favorite film from the Santa Barbara International Film Festival. Set in a very real India (not the heightened India of Slumdog)
No Country for Old Men. For what it was, this was perfection, and what it was was quite something. Each scene was a stunning set piece, and built momentum to the next. Tommy Lee Jones, Javier Bardem and Josh Brolin gave Oscar-worthy performances,
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