A workmanlike talkumentary about the Knoedler Gallery’s sale of 60 forged AbEx paintings, in which all sides are presented but only one is credible. There was nothing here I hadn’t read in ArtNews, but it was interesting to see the characters in person, especially gallerist Ann Freedman, whose icy but unconvincing resolve that she wasn’t […]
This is either (1) a biting critique of sex-hungry men (i.e., all men) who take advantage of defenseless women and the women who enable them; and/or (2) a horror film about a psychopath who seeks revenge on all around her through a series of impossible actions. The climax is so implausible that you realize you’d […]
Undoubtedly a worthy film deserving its accolades, but it just didn’t connect. I thought the child actors were lame, the burning barn a melodramatic plot device, and Mr. Yi’s ability to build a working farm almost singlehandedly while holding down another full-time job too unlikely. But what most bothered me was the way every scene […]
This New York Times “Critics Pick” allegedly ” seesaws between comedy and horror,” but being neither funny nor scary, what is left? A cartoonish battle between an icy abuser of senior citizens and a Russian mafioso who exploits mules to traffic drugs. Do we care who wins or survives? Not really. There could be a […]
Another Round Being the Ricardos Belfast Bergman Island Better Days Black Bear C’mon C’mon CODA Cry Macho David Attenborough: A Life on Our Planet The Dig Don’t Look Up Drive My Car The Electrical World of Louis Wain The Forty-Year-Old Version The French Dispatch Hand of God A Hero Herself I Care A Lot I’m […]
Crash. I liked the characters, the interlocking stories, the comments on race relations , but best of all – especially for a Hollywood movie – was the moral complexity:
1.Amal. So far as I know, this was never commercially released, but it was my favorite film from the Santa Barbara International Film Festival. Set in a very real India (not the heightened India of Slumdog)
No Country for Old Men. For what it was, this was perfection, and what it was was quite something. Each scene was a stunning set piece, and built momentum to the next. Tommy Lee Jones, Javier Bardem and Josh Brolin gave Oscar-worthy performances,
There was nothing new here and the presentation got repetitive. On the other hand, it is always instructive to see archival footage of the civil rights movement and to recognize, however bad matters today may be, just how far our country has come. Another way to put it is, it’s shocking to see how bad […]
This was a well-made dramatic reenactment of a little known chapter in the book of the FBI’s corrupt oppression of black leaders in the ’60s, a period we’ve visited in other recent films: Chicago 7, MLK/FBI, One Night in Miami. It didn’t, at least for me, go much below the surface. There was no ambiguity […]
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