A throwback movie in every sense from the reliably delightful Alexander Payne, it even made me like Paul Giamatti as the curmudgeonly prep school teacher with a well hidden heart of gold. As someone who spent three snowy Decembers at a boys’ school outside Boston in the ’60s, I felt a certain distant affinity for […]
I had to take this in in two sittings, it was so long and so loud (as was the audience of young women). It’s hard to find fault with Taylor Swift, and I couldn’t. Some songs were better than others, but it probably helped if you knew them all by heart, as most of the […]
A French psycho-drama from Justine Triet and production company “didshedoit.com,” which is the movie’s hook. The director prejudiced the question whether the husband’s fall was a suicide or a murder by making the prosecution witnesses bombastic and the prosecutor smarmy and not good-looking, as against a sympathetic defendant (a measured and marvelous Sandra Huller) and […]
A happy-making bauble from John Carney, previously responsible for Once and Sing Street,” with which it shares a Dublin setting and charming, sensitive songs. Eve Hewson is the whole reason to watch, and it is a good one; she is brassy but not abrasive, pretty but real, and her three relationships–with her son, her ex-husband […]
I could have used a lot more about the music, even more about the political activism and the personalities of her world, and a lot less about the sturm und drang of her psychological state, especially since she came across as a wonderfully adjusted, successful and attractive 80-year-old. And what a terrible title!
There is surprisingly little drama in this movie, perhaps because we knew the story but just as likely because the pacing is so s-l-o-w. After three hours forty minutes with no resolution, Martin Scorsese flips to a simulated radiocast to wrap things up, leaving his characters to meet their fates offstage. My other problem is […]
This nominal documentary is little more than an interview with David Cornwall (a/k/a John Le Carre) replete with reenactments of recollections and occasional film clips. The subject, however, seems to be Cornwall’s con man father and his effect on his son’s view of betrayal. As for Le Carre’s writing or his books, there’s barely a […]
In Dig, by Theresa Rebeck at 59E59 Theaters, every line of dialogue is a speech, illuminating the speaker or advancing the plot. The actions are often loaded metaphors too: Roger’s repotting a damaged plant in the opening scene, giving it food, attention and room to grow, previews the main course of the play, a repotting of […]
This Belgian film spelled its title with a backward “r,” but it could just as well have been called “Where,” or even “Why?” The film festival programmer previewed it as “a film about soup, moss and love.” If he had added rain, a car in a repair shop and a Chinese diner he would have […]
Interesting that less than a dozen years ago a film could run wild with jokes about suicide. The humor also seemed dated, unless you’re still reading the Harvard Lampoon and watching Chevy Chase flicks. My viewing partner called it “stupid,” but I found it stupid funny. Greta Gerwig starred, with her trademark intelligent-naive affect, leading […]
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