Entries by Bob Marshall

Between Two Worlds – 6.5

A beatific Juliette Binoche is onscreen this entire film, which makes it worth watching if, like me, you relish her acting and beauty. The story of a journalist going undercover to do a book on cleaning ladies has a ring of truth, which it is, and the film reads more as social commentary than drama.

Vertigo (1958) – 5

Seeing Vertigo on critics’ lists of all-time best films, including Time’s last week, and not remembering if I’d seen it, we rented it for TV viewing. Our first reaction was that it must have been colorized, so garish were the reds and greens. Whatever the cause, it gave the film a very dated look, along with all […]

Theater Camp – 7

A lightweight but enjoyable piffle, with Adam Platt and Molly Gordon riffing on Woody Allen: those who can’t act, teach; those who can’t teach, teach summer camp. Not all the pokes at acting school land, at least not for outsiders, but you can’t go wrong with talented kid actors, and the let’s-put-on-a-show finale is worth […]

Afire – 7.7

A Portrait of the Artist As a Young Loser. Leon is an aspiring author who is insecure and nerdy: he always wears long black pants, even to the beach. The movie is about how he navigates among four self-assured companions at a seaside retreat. Answer: not very well. The characters are well drawn and Paula […]

Barbie – 8

A total goof with a popular message: give the women a chance! BarbieLand is a bit like Schmigadoon meets The Truman Show, and its main feature is a bevy of Barbies, led by Margot Robbie, whose gorgeousness is enough of a reason to see the movie. Ryan Gosling as Ken, not so much. The plot […]

Oppenheimer – 9

Big–in themes, personalities, production values, cast, drama, historical significance and lessons for today. Three hours and I never looked at my watch. Christopher Nolan’s trademark nonlinear storytelling technique–confusing and distracting in Memento and Tenet, inter alia–works to heighten the tension in scenes with more conversation than action. With almost 80 named characters it can be a […]

The Night of the 12th – 6

It takes away suspense when the film announces at the outset that it’s about a murder that won’t get solved. The rest of the movie shows why other movies eschew that route. What, then, was this about? The relationships? Ho-hum. The characters? Not very interesting. Societal issues? Not very deep. Mildly interesting as a French […]

The Innocent – 8

A cleverly plotted, very funny crime caper peopled with delightfully idiosyncratic characters. Every moment is fun an the relationships are touching. Only in French cinema would the robbery target be a shipment of caviar.

Past Lives – 6.5

A sweet love story, although how sweet depends on one’s view of actress Greta Lee, whom I found more off-putting than charming. Maybe it’s a prejudice against Asian actresses (see Hong Chau in Showing Up and whoever was in Crazy Rich Asians and Everything Everywhere All At Once), but I missed the vulnerability of Julia Roberts, et al. […]

Vengeance – 6.5

A fun cross-cultural spoof, with a bright-lights New Yorker writer turning his trip to West Texas into a podcast, like he’s visiting a zoo, only to find that the animals can not only talk but have a lot on their minds.  The lesson in self-awareness is less interesting than the characters he runs into, and if […]