Entries by Bob Marshall

Colette – 6.7

Like a Monet garden scene, Colette is a lovely period piece, more art than fire. The always beautiful Keira Knightley (how does she look so young!) embodies the turn-of-the-century writer/performer as she explores life and emerges from her husband’s shadow and control. To me, Dominic West’s role – and its contrast with Jonathan Pryce’s in […]

Free Solo – 8.5

I’ve awarded the non-Oscar for Best Director of a Documentary to Jimmy Chin for this engaging, gripping drama cum tutorial about Alex Honnold’s obsession to climb El Capitan in Yellowstone without a safety net – e.g., free solo. First, there’s the charming main character, wonderfully ingenuous and open for someone in his position: the best […]

A Star Is Born – 7

If you like watching Bradley Cooper (with Sam Elliot’s voice) and Lady Gaga (with and without makeup), you’ll find plenty to like in this movie, which owed its feeling of longeur partly to overlong closeups of the two stars. If you’re looking, however, for credible characters, gripping story or particularly good music, you may be […]

Fahrenheit 11/9 – 7

Michael Moore has packed four movies, four movies, four movies-in-one, at least! There’s Hillary’s defeat; Flint’s water crisis; the Parkland school shooting; and Trump’s neo-Fascism, at least two of which pick up on earlier Moore films. There’s a ray of hope in the person of four emerging radical candidates for Congress and the West Virginia […]

The Sisters Brothers – 5

What a strange movie! The rambling plot could best be described as, A Day in the Life of Two Cold-blooded Gunslingers, c. 1851, Who Happened to be Brothers, Although You Wouldn’t Have Guessed It. The main narrative, the pursuit of an alchemist named Herman, petered out two-thirds of the way; then the climactic High Noon […]

Bad Reputation – 7.5

Who knew that Joan Jett was still rocking? Somehow, despite all the sturm und drang of a typical rock biography – rejection, no respect, getting ripped off, amazing highs of fleeting fame, falling-out with bandmates, etc., etc. – she resisted and survived, not only setting an example but mentoring other female rockers. After the sold-out […]

Lizzie – 7

A beautiful period piece, with visuals of ladies in ruffles straight out of William Merritt Chase, plus a nod to de La Tour and some Sargent. When Bridget is seen on a train to Montana at the end, you realize that there hasn’t been any color or fresh air or distance in any shot that […]

The Wife – 7

This was shaping up as an excellent study of a marriage, with Glenn Close accommodating herself to the shadow cast by her Nobel Prize-winning husband, but then it took a horribly wrong and totally unnecessary turn that was both totally unbelievable and made us rethink, and doubt, the wonderful characterization that Close had offered before. […]

Searching – 7.5

The whole film is told by looking at computer, iPhone, TV and other screens, which provides a subsidiary comment on how “we” communicate and even live our lives in this modern age. The story itself is a missing “Gone Girl” mystery, with an intricate puzzle plot that makes sense, except for the speed of the […]

Juliet, Naked – 7.9

A charming rom-com in the Hugh Grant/Julia Roberts mold that might have scored even higher if I could have understood the English (Irish/Australian) accents. All four characters were delightful: the beauteous Rose Byrne, the humorously cloddish Chris O’Dowd, the talented slacker Ethan Hawke and the precocious Azhy Robertson, who at maybe 9 years old was […]