Entries by Bob Marshall

Phantom Thread – 7

A psychological thriller with Daniel Day-Lewis, a lover and a sister all vying for dominance while his dressmaking art that makes it all possible teeters in the balance. At first I wondered, why make a movie about the Day-Lewis character, except to show off his nonpareil acting skills. What a comedown is Reynolds Woodcock from […]

The Post – 8

A skillfully made film that affirms one great value after another: the First Amendment, women’s equality, art over commerce, truth to power and on and on. The trouble is the movie is continually running up against history we know well, raising questions: wasn’t the Post’s story merely a sideshow to the New York Times’s? Not […]

Mudbound – 8

Very hard to watch but a remarkable movie, telling parallel stories of a white family and a black family, coping, struggling in 1940s Mississippi. Life can be very hard (I was reminded of my grandmother’s eking out a living on her farm in West Memphis during the Depression), life can be unfair, and there is […]

The Shape of Water – 7.9

A completely charming film by the master director Guillermo del Toro: every scene, every shot had visual beauty and plot significance. The caricature of 1950s America was comically dead-on, but not distracting – notably, Michael Shannon’s Dick and Jane family and Richard Jenkins’s Norman Rockwell art. Shannon was wonderfully evil, Octavia Spencer provided her usual […]

Call Me By Your Name – 5

James Ivory’s gay wet dream goes from languorous to tedious about halfway through: how many slow-motion man-boy embraces do we need, or “let’s strip to our trunks and go for a swim”? (I subsequently read of screenwriter Ivory’s disappointment that both male stars had a no-nudity provision in their contracts.) More annoying were the unconvincing […]

The Darkest Hour – 7.9

What a nice companion to Dunkirk and The Crown, a view behind the scenes of what Churchill was going through in the days between his ascension to Prime Minister and the desperate evacuation of British troops from France. The portrait of Churchill doesn’t comport with the public view we’ve been given: here is generally disheveled, […]

Star Wars: The Last Jedi – 4

After 25 minutes (!) of previews for movies we will never see, involving sci-fi or cartoon creatures and lots of noise and violence, we returned to the galaxy far, far away for a very tired story featuring very tired actors – e.g., Carrie Fisher and Mark Hammill – and the new generation, all of whom […]

Three Billboards Outside Ebbing, Missouri – 8.5

Martin McDonagh channels the Coen Brothers at their best – think Fargo and No Country for Old Men – in this small-town dramedy where the stakes are small but emotions are large. Every line of dialogue is fraught and measured, delivered to perfection by Frances McDormand, Sam Rockwell, Woody Harrelson and an equally adept supporting […]

Jane – 8.2

An enchanting story, beautifully told. Who could resist watching this “comely miss,” Jane Goodall, clambering through the Tanzanian jungle in safari shorts, to be rewarded by acceptance from a troop of colorful chimpanzees. There is drama and action to match Planet of the Apes and a bittersweet love story with the dreamboat photographer sent to […]

Murder on the Orient Express – 6

The biggest source of mystery here was figuring out which famous stars were playing all the characters. Judi Dench was easy, but her companion was harder: Olivia Colman of Night Manager and Happy Valley. And who has seen Michelle Pfeiffer, who looked fabulous, in years? The scenery was lovely and the romance of a train […]