A day before the official awards, and still not having seen all the contenders, notably The Brutalist and the Documentary Features, here for the public record are my choices: Best Picture: A Complete Unknown. Not a perfect movie in a class with last year’s winner, Oppenheimer, this film took on a difficult challenge and produced […]
Somehow there is no tension and little emotion in the story of a former Congressman in Rio being “disappeared” by the Brazilian military dictatorship in 1975. 25- and 40-year-later codas add nothing to the drama but appear inserted to honor the true-life events the film is based on. Fernanda Torres is rightly receiving award nominations […]
A crowd pleaser from Peru with handsome leads and beautiful cuisine. We know where the story is going pretty much every step of the way, but that makes it no less enjoyable. Ditto for the fact that the tale is a total fantasy: who is ever rescued from poverty by starting a restaurant?
It was worth spending time with Renate Reinsve, but the film itself was no more than an O.Henry short story. Curiously, Sebastian Stan was nominated for a Golden Globe for this performance, which I found inauthentic, as opposed to his Oscar-nominated role in The Apprentice, which I considered brilliant. This passed the time on a […]
A feel-good story of prison inmates putting on a play, with an Oscar-worthy performance by Colman Domingo anchoring an amateur cast of real-life prisoners playing themselves. The play’s not the thing. What we get to see and feel is inmates experiencing their own humanity through performing in prison and by extension in this movie. There’s […]
A meditation on dying and friendship with lots of close-ups of Tilda Swinton and Julianne Moore. They are obviously both fine actresses, but the formal, slightly stilted dialogue sounded as though it were written in a foreign language (Spanish?) then translated. I felt I was at a dramatic reading with attractive settings. Still, a must-see […]
A quiet look at Japanese culture on the surface, and below that at man’s relationship to nature. Elegiac in its simplicity, the film bespeaks director Hamaguchi’s mastery and confidence – as in, who needs a plot when an image says so much. A review kindly called the ending “ambiguous,” whereas I’d say “inscrutable.” Or another […]
A poignant, sympathetic look at a fading art form and its star practitioner. The direction was unusually realistic for an American film, although I found the jittery hand-held camerawork distracting. Pamela Anderson played ditzy well, but Jamie Lee Curtis’s supporting performance was to me more interesting. Sweet and sad.
A pile of erotic nonsense.
Taking a cue from the Oscars and in another way the Golden Globes, I have divided my Top Ten for 2023 into two categories: five of the very best were foreign-language films, and I was able to cobble together five respectable movies in English. Contrary to what the critics said, and seem to say every […]
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