Entries by Bob Marshall

Touch – 7

A lovely, gentle romance between a charming and gorgeous Icelandic man and a lovely and demure Japanese woman, told through flashbacks to 1969 London from a 2020 present. Besides whetting my appetite for Japanese cuisine, the film almost made me nostalgic for the days of Covid lockdown.

Last Summer – 7

If you’re going to have an affair, it’s probably better not to have it with your teenage stepson. That seemed to be the message of this very French film: lots of relatable characters, long takes, sex and bad decisions. It would have been easier to take if Theo, the 16-year-old bundle of animal magnetism, had […]

Taking Venice – 5

A disjointed melange of mostly still photos for a documentary that purported a big story–scandal at the Venice Biennale–that never showed up. What was Leo Castelli’s involvement? Who was Rauschenberg’s competition? Wasn’t he the “best painter” there? What did his later ventures–e.g., ROCI–have to do with anything? Why talking heads who arrived on the scene […]

Green Border – 8.5

A sober and sobering account of a Syrian refugee family’s attempt to reach Sweden via Belarus and Poland, two countries that kicked them around, and worse, like political footballs. Agnieszka Holland crafts her film, shot in black-and-white after an opening view of, presumably, the green border, in chapters told from the perspectives of 1. the […]

The Bikeriders – 8

A movie based on a book of photographs is a novel concept (if you pardon the anti-pun). Accordingly, it describes a place and time and a particular subset of people: bikeriders. Enough happens to keep the story moving, but without the dramatic tension of a plot-driven film. It’s watching people. And what people! Jodi Comer […]

Hit Man – 6.5

Unfortunately, I’m a little Glen Powelled out after Anyone But You, hot on the heels of his flyboy roles in Top Gun: Maverick and Devotion. The various disguises he put on for his hit man job didn’t hide the pretty-boy charm that seemed his main contribution. Adria Arjona was new and good, and the supporting cast was […]

The Idea of You – 7

A love poem to Anne Hathaway, by Anne Hathaway, but what’s wrong with that? There’s a serious subtext of gender-based hypocrisy: society (i.e., social media) wouldn’t shame a 40-year-old man for an affair with a 24-year-old woman as they attack Hathaway’s character. But if the man has a 16-year-old daughter it gets a little trickier. […]

Kingdom of the Planet of the Apes – 4

Huh? Expecting some sly sociopolitical comment, all I got was a cliched shoot-’em-up, battle scenes galore and nothing that made much sense. The super-achieving, premise-defying girl was great, but I had trouble telling one ape from another. The movie moved quickly, though.

Broadway ’24

Our first two shows on Broadway for the spring 2024 season shared sensational staging. For Enemy of the People, lighting by paraffin lamps, spare furniture and drab black costumes at Circle in the Square let us feel we were back in 19th century Norway. Postwar London for The Who’s Tommy wasn’t so much a location […]

Coup de Chance 7.5

An old-form Woody Allen short story, set in the streets and party rooms of Paris instead of New York: four characters, lots of talk about marriage and life, and just when you start to care about what happens to the people we get a goofy, comic ending. It’s fun to be back in France and […]