A very French film about the working-class student who is madly in love with the rich beauty until he wakes up to/with the slightly less beautiful girl who has been vainly chasing him. What either girl sees in Primo is a total mystery unless they, like the director, see him as a reincarnation of Jean […]
Kevin Kline is the best comedic actor of his generation, Diane Keaton is an unfailingly charming but a little ditsy comedienne, and together they anchor this hilarious but touching Big Chill-at-60 reprise by director Lawrence Kasdan. The plot is ostensibly about a lost dog, Freeway, but I needn’t have worried: Freeway is lost for much […]
A rather mystifying, unneeded retelling of the classic John le Carre/Alec Guinness spy story. The main characters are represented by chess pieces, and that’s about how much they come to life. Gary Oldman is widely praised for his Smiley, but his expression changed only on the few occasions his ex-wife was mentioned. I found it […]
Like War Horse, this was an hommage to an era of movies past, and, also like War Horse, for me it was devoid of originality or emotional involvement. Unlike the Spielberg film, which actively annoyed me, this one merely left me cold. Featuring a lead character who was vain, proud, mean to his wife and […]
I can’t think of a book whose plot I remember so well as Girl, which made this relatively faithful adaptation more a checklist for me than a separate cinema experience. I had no objections to the presentation, although neither Daniel Craig nor Rooney Mara matched my imagination; but I have to wonder what someone who […]
This is the worst movie I’ve ever seen – at least for this year. Attempting an homage to “sincere” movies of the ’40s and ’50s, Steven Spielberg came up with an epic that was not merely corny, but phony. Every scene was absurd, every character a cliche: the dastardly landlord, the dissolute father, the long-suffering […]
This was a minimalist movie, like, say, a Donald Judd sculpture: stark, clean lines, eerily beautiful, solid and ambiguous in meaning. The opening shot established the director’s style – monochromatic (usually blue), intense, with long, slow takes. The epitome was Carey Mulligan singing “New York, New York.” Not only did she sing at half-speed, but […]
Charlize Theron was sensational as a case of arrested development, the fast blonde whose life peaked senior year in high school. She was also, I’m advised, a convincing alcoholic. Beyond that, there was not much of a story and only one other interesting character, Matt, the schlubby guy who viewed high school from the opposite […]
Most interesting as a history lesson in the lives and characters of Carl Jung and Sigmund Freud, so I hope the screenwriters did their research. Top billing, however, went to Keira Knightley, who certainly did a lot of acting, although I could have done with less jaw-jutting as a sign of repressed tension. Fassbender, Mortenson […]
A totally sweet story, conceived in innocence and told as such. There were no villains (just some buffoons), no tension or melodrama; every character was worth the time and every scene was fun to watch. Kenneth Branagh and Judi Dench, as Laurence Olivier and Sybil Thorndike, reminded us what great actors the British are, and […]
© Copyright 2019 Robert Marshall | All Rights Reserved.