Entries by Bob Marshall

Farewell, My Queen – 8

This French film brilliantly thrust us inside the Versailles court of Louis XVI: as the camera trailed through the candlelit corridors of power you could almost smell the perfumed wigs and taste the personal agendas. Needless to say, the suits and dresses, above all Marie-Antoinette’s, were sensationally beautiful; but by relying heavily on close-ups, director […]

Habibi – 6.5

An earnest and sympathetic look at the plight of two Palestinian lovers, deprived of their relationship, and ultimately their lives, by the Israeli occupation of the West Bank and stranglehold on Gaza. The male lead, unfortunately, was not appealing by Western standards, nor was his conduct particularly commendable. His female love, on the other hand, […]

Cabin in the Woods – 3

From time to time I venture outside my comfort zone, to check on a genre I normally avoid, when reviews indicate a work may have some unusual merit. Thus, I watched this “horror film,” one intended for the young adult mass market, not the independent adult. I can’t say it was a mistake, but, as […]

Bullhead – 8

Yet another criminal underworld is brought to the cinema: the world of Belgian cattle dopers. Nor are we familiar with Walloons as a different subspecies. But all this is windowdressing for the central portrayal of a man gone mad, a man obsessed with his body in compensation for what he lacks, a man who finally […]

Kid With a Bike – 7.5

A riveting psychological portrayal of a troubled 11-year-old boy, coming to grips with the loss of his father and, on occasion, his bike. He moves from sullen outcast to a slightly willing sharer in relatively short order, although it seems an age because of the Dardenne brothers’ slow pacing. Shots linger, which allows us to […]

A Separation – 9

There are no bad people in this story, but (almost) all the people do bad things – the chief among them not telling the truth. There is always a good reason, one that seems, at the moment, more important than the truth. Seeing how each of the characters handles this personal dilemma is only one […]

Where Do We Go Now? – 8

A comic but true-to-the-core depiction of Arab society in a small village where everyone knows, and gossips about, everyone else, usually at high volume. Meanwhile, below (or above) the frivolous surface, this smart movie presents the dichotomies of man and woman, love and hate, Christian and Muslim, life and death. All the actors are convincingly […]

Wanderlust – 3

Some thought that I rated last year’s Just Go With It inordinately high because of a puerile infatuation with Jennifer Aniston. As rebuttal, look at this rating: Jennifer was as adorable as ever, but this movie was just plain stupid. For some reason (their own lust?), the critics at The New Yorker, New York Times, […]

Pina – 6

     The best use of 3-D I’ve seen yet: it was unobtrusive – no dancers kicking legs into our space – and simply made the dances come alive. Like the documentaries at the Film Festival, there was no plot and no dramatic arc, just a series of dances and interviews with the dancers. It didn’t […]

Top Ten 2011

Bobby Fischer Against the World. A mesmerizing subject, told with appropriate drama and objectivity. The talking heads were uniformly insightful and the historic clips were fascinating,