A totally sweet story, conceived in innocence and told as such. There were no villains (just some buffoons), no tension or melodrama; every character was worth the time and every scene was fun to watch. Kenneth Branagh and Judi Dench, as Laurence Olivier and Sybil Thorndike, reminded us what great actors the British are, and […]
A sumptuously beautiful film, but a beauty that had nothing to do with nature and everything to do with the hermetic world of the cinema. I suspect a true cinephile would have recognized an allusion in every character, every shot of Martin Scorsese’s homage to George Melies, silent film, and the French cinema. For the […]
This George Clooney vehicle started slowly then gradually built to a moderate walk – an apt metaphor since the film had two scenes of Clooney running, something his agent should guard against. There were travelogue scenes of Hawaii and an unconvincing subplot about the disposal of a Hawaiian estate, but the film’s thrust was the […]
I barely noticed Jennifer Chastain in Tree of Life and scarcely recognized her in The Help, but by the time I caught on to her in Take Shelter I was blown away by her acting skills, by the empathy she communicated. Michael Shannon’s may be the more bravura performance – I have no idea how […]
This is, I suspect, as good a movie as we will get about the financial meltdown of 2008. While not an accurate picture of any one company or situation, there seem to be real-life precedents for almost everything in the film, starting with the basic dilemma: do I have any moral obligation not to sell […]
A most pleasant walk, with beautiful scenery and some interesting characters, especially (for me) Joni Mitchell-lookalike Deborah Kara Unger. Martin Sheen is always good company, too, and the searching for his son in a movie directed by his real-life son Emilio Estevez added poignancy. While there were a number of unlikely melodramatic incidents to keep […]
As a birder, I felt compelled to watch this film, to see what the rest of the world was learning about birding (although only two other people were in the theater with me). The good news is that “competitive birding” takes a big hit: it comes across as obsessive, unseemly and not a whole lot […]
One take is that the entire movie is the coma-induced imaginings of Joao, an abandoned bastard longing to know his real parents. That would explain the fancy balls, the imprisoned duchess, the Dickensian coincidences and the consistent world view of nobles flirting, seducing and changing identities. Another take: let’s make a movie that animates all […]
A very French look at existence through the eyes, and videocamera, of 11-year-old Paloma, brilliantly acted by one Garance Le Guillermic, a “child actor” in physique only. Just as wonderful is the title character played by Josiane Balasko, a frumpy concierge who reads Tolstoy in private. While the ending alludes to Anna Karenina, I’m sure […]
A tableau vivant in which ‘reality’ is a painting – specifically, Pieter Breugel’s “Road to Cavalry.” The movie obscures Jesus’s crucifixion amid 16th-century Flemish peasants and red-tunicked Spanish soldiers, just as Breugel did in his metaphor-filled canvas. With minimal soundtrack and even less dialogue, watching this film becomes an intense experience, and trying to piece […]
© Copyright 2019 Robert Marshall | All Rights Reserved.