Entries by Bob Marshall

Red Riding 1974, 1980, 1983 – 6.8

Long on style, short on sense, these three made-for-TV crime dramas had a Twin Peaks flavor to them, with suspenseful music and an overriding sensation of never knowing exactly what was going on. Partly this was due to the Yorkshire accent, which begged for subtitling, but mostly it was due to the misdirection, which withheld […]

The Runaways – 5

On my list of rock’n’roll biopics, this would come in at #27. Every well-worn element was present: dysfunctional family, rebellious teens, Svengali producer, drugs, clashing egos, band breakup, good (not great) soundtrack. On the other hand, I would be happy watching Kristen Stewart read the phonebook, so seeing her play hard-rocking Joan Jett was a […]

Bad Lieutenant: Port of Call New Orleans – 7.5

Totally over-the-top performance by Nicolas Cage, one of my favorite ott actors, in film by Werner Herzog, my favorite ott director. Corrupt on the outside, with great police instincts on the inside, our lieutenant with the consuming drug addiction found new ways to be hysterical in every scene and somehow made me root for his […]

Ghost Writer – 7

Extremely Hitchcockian music, by Alexandre Desplat, and the bleakly austere setting of “Martha’s Vineyard,” made one sense danger at every turn. Pierce Brosnan, Ewan MacGregor and especially Olivia Williams acted beautifully, and the pieces fit together like a Swiss watch. In short, this was a wonderfully made film. The only problem was the plot, which […]

Oscar Review

No real surprises among this year’s Oscar winners, although Time’s prediction sheet managed 12 wrong, to 12 right. What dawned on me, however, as it must have before, is how much the Oscars are little more than a popularity contest, rather than a recognition of technical talent. I’m not referring to Sandra Bullock’s win over […]

Paris – 6

A forgettable piffle, saved mainly by being a French piffle and the lovely Juliette Binoche. Saw it on the plane four days ago and have already forgotten what it was about.

A Serious Man – 8

A hilarious riff by the Coen Bros on growing up Jewish in St. Louis Park, 1967. A latter-day Job (though I should re-read the book), beset by calamity after another, with allusions as well to Sodom and Gomorrah, while Larry seeks to find out how Hashem talks to mortals, and what he is saying. The […]

The Last Station – 6

Strangely unaffecting, in a Chekovian manner. Aristocrats stand around distraught, but we don’t care. About them, the Tolstoyan movement, or Tolstoy’s copyrights. The announced theme is Love, but there is no real chemistry between Helen Mirren and Christopher Plummer; and the younger couple, James McEvoy and the luscious Kerry Condon, exhibit more lust, or puppy […]

The White Ribbon – 8

Michael Haneke’s meditation on cruelty, or evil?, as embedded in German culture, or humanity?, in 1914. The father figures alternated between humiliating their women and beating their children, a lesson the children had learned all too well and practiced on the weakest among them. The world at large was not much better, as we were […]