Entries by Bob Marshall

Revolutionary Road – 5

How you feel about Revolutionary Road, either the book or the faithful movie adaptation, depends on how you react to Frank and April Wheeler, for this is really a character study. They are certainly not likeable characters, but that wouldn’t matter if they were comprehensible. And they should be equal. Unfortunately, Kate Winslet is an […]

Gran Torino – 3

Without question, the worst-acted movie of the year, and the plot warn’t much better. Other than Eastwood, the actors seemed to be reading their lines, after checking the teleprompter. Eastwood’s softening to the Hmong family next door belied his characterization, and Sue’s bold approach to him made little sense, either. On top of The Changeling, I […]

The Necessities of Life 3

The first hour was relentlessly depressing: Tiivii is told he has TB, is sent from his Arctic home to a big-city sanatorium, where no one speaks his language – and he makes no effort to learn French. Things perk up a bit when they locate an Inuit boy with TB who can translate, but the […]

The Country Teacher 7

Billed as Festival Director Roger Durling’s favorite, this Czech movie was beautifully and sensitively acted, but the simple story of a gay teacher’s coming to grips with his sexual preference undoubtedly appealed to the Durls more than me. (Why he didn’t rave about the somewhat similar Yngve surprised me.) Other than reflecting on how different […]

The Man Who Loved Yngve -9

The unfortunate title aside – there was no “man” in the movie and it was about so much more than loving Yngve – there was nothing I would change in this Norwegian coming-of-age story, a study, much like Juno, of that age when teenage rebellion and angst run up against real-world consequences. There was the […]

Eye of the Leopard 3

Amazing film of a leopard in the wild does not, of itself, make a great movie. In fact, this was a pretty bad movie: anthropomorphism abounded and Jeremy Irons’s melodramatic narration didn’t help. But worst was the convoluted story – not very interesting to begin with, then told in flashbacks so long one forgot the […]

The Kabuli Kid 4

I was less than enthralled throughout, partially because I was never comfortable with the premise: a troubled mother abandons her infant in the backseat of a taxi and the genial driver spends two days trying to return or find a home for the baby. Not that this couldn’t happen – although finding such a saintly […]

Gomorrah – 8.5

At first I dismissed this as a Sicilian version of the Sopranos without plot, humor, recognizable characters or professional camerawork. By the end, though, I knew the people and their stories had coalesced into a bleak, violent and scary world of an Italian crime “family” that read more like a nature documentary in its realism […]

Inventing L.A.: The Chandlers and Their Times

It was rather shocking to me to learn that the L.A. Times didn’t seriously  undertake to impartially cover the news until 1960, when 4th-generation Otis Chandler became publisher. Until then, it openly touted the Chandlers’ business and political interests, “inventing L.A.” in the process. This documentary was highly polished but lacking in focus: the first […]

Zift – 5

In marked contrast to Vacation – who would think the first two films I see at the Santa Barbara Film Festival would both take place inside prisons! – the Bulgarian esthetic is apparently raucous and messy. Or, you could say, loud and lewd. The story involves a petty criminal who wades through unbearable shit in […]