Entries by Bob Marshall

Don’t Let’s Go to the Dogs Tonight – 7.5

A thoroughly charming cinematic representation of Alexandra Fuller’s riveting 2001 memoir about the 1980 transfer of white to Black power as Rhodesia was reborn as Zimbabwe. The story is told through the eyes and actions of seven-year-old actress Lexi Venter in an astonishing performance, while her innocence is matched by her psychologically fierce and tormented […]

Familiar Touch – 7

Less a story than a scrapbook account of moving one’s mother to a memory-care facility. Kathleen Chalfant is superb as the regal 80-year-old who has retained her culinary skills but has no inkling of who the people around her are. Sympathetic, not maudlin, the picture it presents of a stage in life we have experienced […]

Jane Austen Wrecked My Life – 6

After time spent watching streamers it felt good to sit in a theater and see characters on a big screen with lush scenery behind them. Beyond that, this film was largely forgettable, although it left me wondering what its title meant. Camille Rutherford was fine as the Austen-besotted would-be writer, but the main attraction, for […]

The Bobby Awards

In anticipation of tomorrow’s 2025 Tony Awards–many going to shows we haven’t seen–I am introducing the Bobby Awards for exemplary achievement in the eight shows we did see in May 2025. Best Actor: Hugh Jackman in Sexual Misconduct of the Middle Classes Best Actress: Sadie Sink in John Proctor is the Villain Best Supporting Actress: Julia Knitel in […]

NY Theater Spring ’25

Dead Outlaw   (9) An outrageous true story of a mummy brought to life by a superb ensemble cast and a catchy country rock score played live onstage. The stagecraft was everything, as each excellent actor rotated through a variety of roles at a breakneck pace that drew you in and, amazingly, made you care. Andrew […]

Sinners – 7.8

One powerful movie. Ryan Coogler keeps us on the edge of our seats, guessing where the story is going before it explodes in our faces. There’s a lot about music, especially the blues, Southern culture, power, magic, sex (romance?) and race (the good guys are Native American, the bad guys white, and everyone in between […]

Warfare – 7.3

A minute-by-minute recreation of Navy Seals under attack in Ramadi, Iraq, remarkably devoid of a point-of-view, unless it’s that war is, if not hell, not a lot of fun. Why the American soldiers are holed up in this building, who is attacking them, or even why America is in this war are not even hinted […]

The Teacher – 8.1

Forget the context of the Palestinian-Israeli struggle, as if that were possible, this film succeeds as a wonderful human drama, a gripping story with superb lead performances by Saleh Bakri and Imogen Poots, both easy on the eyes. Then add the context of Palestinian life in the West Bank, even without Israel’s later all-out assault […]

Misericordia – 7

An affectless Jeremie returns to a small French village (apparent population: 6) and shakes everyone’s world while mainly strolling through beautiful fall woods with mushrooms sprouting. We’re never sure what’s on Jeremie’s mind; like many a good French film, it’s all about relationships. It gives us time to think, and wonder.

The Last Stop in Yuma County – 7.8

A fun and funny dramedy set in a remote Arizona diner where (spoiler alert) everyone gets killed. Everything you need to know about each character is evident from their looks, and is confirmed once they open their mouth. You feel like you’re watching a movie from the ’60s, with no stars, one set and a […]