Entries by Bob Marshall

Arrival – 7

The whole movie begs for explanations and answers: who are these aliens, what do they want, how do they communicate, how will humans understand them, and can humans cooperate when faced with a crisis? It is, therefore, a bit of a disappointment when none of these questions are satisfactorily answered – not that there could […]

Mifune: The Last Samurai – 5

Good fun to be reminded of Toshiro Mifune’s roles, especially in Kurosawa classics, and get some sense of what made him a star. Otherwise, there was nothing particularly compelling or unique about this documentary.

Eagle Huntress – 5

The story, and the telling, were too pat for a documentary: more often than not, it seemed like scenes were being staged for the camera, rather than that the camera  happened to be there. The affectlessness of Aishorplan, the 13-year starlet, didn’t add to the convincing. But I can never get too much of those […]

Moonlight – 6

Certainly an interesting movie covering a subject not often seen in movies and brand-new actors, but it was long and slow and not a lot of fun to watch. The main character(s) were quiet, repressed, not attractive in physical appearance or choice of lifestyle (i.e., drug-dealing). There wasn’t much of a story – just three […]

Allied – 5

Hard to believe, after Inglorious Basterds, that someone else would cast Brad Pitt as an American (ok, Canadian) who could pass himself off as a Frenchman/German behind German lines. Any relationship between his French accent and that of the Parisian he was supposed to be was entirely coincidental. Of course, he was no more convincing as […]

Doctor Strange – 6

The sci-fi stuff was not that interesting, and the fights of fancy were absurd excesses of computer cinematography, but Benedict Cumberbatch was superb in a role he was born to play: arrogant but funny.

Aquarius – 4.5

If I’m going to sit through a long, boring movie I want it to at least have a central character I like, or at least enjoy looking at. Here, by contrast, the focal figure, Dona Clara (played by Sonia Braga), was the least attractive person on view: stubborn, haughty, insensitive, selfish, living lazily on her […]

The Unknown Girl – 8

A thoughtful, very real examination of guilt, confession and community responsibility from the Belgian masters, the Dardennes brothers. Star Adele Haenel was onscreen the entire time, and I never tired of watching her. The plot toyed with that of a policier, which the directors said they wanted to avoid, but that’s what drove the action and […]

Bright Lights – 5

An overlong, pointless documentary about two aged former film stars – Grey Gardens, anyone? – that is ultimately dispiriting, especially as one of the former film stars, Carrie Fisher, is the daughter of the other. Debbie Reynolds, America’s Sweetheart in the ’50s, is still performing, sort of, on the geriatric circuit; whereas Carrie, famous as […]

Niagara – 8

It won’t do to compare this 1953 thriller to current movies, but, much as Elevator to the Gallows showed us, it can be tremendously fun to watch well-crafted old movies on the big screen. Director Henry Hathaway showed more than a touch of Hitchcock with his visual clues, but what set him apart was his use […]