Not as bad as the reviews and a meticulous adaptation of Dennis Lehane’s novel, but both book and movie had more incident than soul. We moved from one gangland killing to another with admiration for the machinery but little emotional involvement. Part may be due to Ben Affleck’s constant on-screen presence, with hair and designer […]
A thoroughly enjoyable spoof on classic Hollywood, much better than La La Land because it took itself less seriously, and had better production numbers. The Coen brothers must have had fun making it, as did George Clooney, Channing Tatum, Scarlett Johansson, et al.
Unwatchable, even when desperate on a cross-country flight. And that goes for Meryl Streep, too – maybe especially.
1. Eye in the Sky. This film about a drone strike in the Mideast gave me more to think and write about than any other and courageously tackled a controversial matter of foreign policy. (Kudos, also, to the similarly overlooked Whiskey Tango Foxtrot.)
Why? What was the point? Natalie Portman didn’t look like Jackie – not as pretty, nowhere near the presence – and we were given her at her most insecure, at her most vulnerable. No American who lived through “Camelot” could have directed such a picture, and you wonder why Pablo Larrain – much more at […]
Matching Hell and High Water in regional atmosphere, Manchester reverberated more closely to home for me, recalling Mystic River and Dennis Lehane novels, Spartina and the whole ball of Matt Damon/Ben Affleck/Mark Wahlberg New England wax – not surprising, as Damon was a producer and Ben’s little brother Casey was the star. I’ve loved watching Casey since Gone, Baby, Gone, and he […]
Hokey and manipulative, plus cursed by that bane of bad plots, “based on a true story.” Why did Saroo have an adopted brother? Why did Nicole Kidman have such an awful hairdo? Neither helped the movie, but both were based on the true story. Dev Patel’s matinee-idol looks, of course, weren’t based on the truth; they […]
A poem of a film, with a fat Communist in the lead and a wispy Gael Bernal Garcia as foil and narrator. By constantly using backlighting, director Pablo Larrain conveys the mood and spirit of the 1940s and half the fun is experiencing the people, politics and costumes of that era in Chile (when the […]
A twisted story with neat directorial touches in every nook and cranny. Every character was driven by sex – and that means “every,” major or minor, old or young. While that may not have seemed totally realistic, it did seem, well, French. Whereas many thrillers fall apart when viewed in retrospect, the more I thought […]
A powerful drama, lifted almost intact from the stage. This seemed a problem at first – the staginess of all the action transpiring on the backyard lot, the declamations in place of conversation – but the sheer humanity of the characters, and their problems, won us over. When Denzel Washington defended his affair by saying, […]
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