Entries by Bob Marshall

A Man Most Wanted – 8

A totally engrossing spy thriller from John LeCarre’s novel put us right back in the world of Homeland, The Honorable Wpoman and Chinatown, all of which we watched on home TV last week. Washed-out cinematography put us in the grey underworld of Hamburg, and Philip Seymour Hoffman dominated the screen like a beached whale. The […]

Begin Again – 7

There are worse ways to spend a Thursday afternoon than watching Keira Knightley morph from nice-looking to irresistible – it’s in the eyes (not the teeth) – and listening to decent music – more like Once than Kinky Boots – although I can’t say the same for the Mark Ruffalo character. The story itself ranged […]

Get On Up – 5

A mess of a movie, somewhat salvaged by an extraordinary performance by Chadwick Boseman. A bunch of disconnected scenes add up, dramatically, to nothing. The scenes of James Brown’s youth, weakly reminiscent of the much better Ray, explain little, although one is rather surprised that as a youth he had no rhythm and couldn’t carry […]

Boyhood – 8

A charming passage through the growing-up years of one Mason Evans; our own youths may have been different, but we recognized the situations, with lots of nods and knowing smiles. Richard Linklater’s technique – filming the same actors over a 12-year period – gets all the attention, deservedly – but one shouldn’t overlook the performance […]

Dawn of the Planet of the Apes – 7

The fact that it struck me as unrealistic that Malcolm was able to revive a hydroelectric plant while the rest of the movie featured talking apes says how convincing was the overall illusion. The special effects were indeed special, but it was the humanity of Caesar and his cohort, as well as the performance of […]

The Fault In Our Stars – 3

A young adult movie not recommended for anyone over 14 or under 12. Shailene Woodley is commendable as a teenage cancer sufferer, but her love interest is pretty insufferable and Sam Trammell as her father turns in the worst acting performance of the year. Laura Dern is good, as usual, although it’s hard to reconcile […]

Jersey Boys – 7

It must be a half-hour into the movie before we get what we came for – Sherry, Baby – and all the music before that, including a screechy Silhouettes, is pretty execrable. That’s only one of several confounding choices by director Clint Eastwood, making this movie much more than a singalong, although that’s where the […]

Ida – 8

Absolutely gorgeous black-and-white cinematography, reminiscent of Kertesz or Brassai, brought out the purity of Ida’s faith. By implicit contrast, the drugs/sex/rock’n’roll and politics of the world outside the convent was unsatisfying, if not pointless, although filmmaker Pawlikowski seemed to be speaking just for Ida.

A Million Ways to Die in the West – 2

A total misfire. Seth MacFarlane’s jokes missed their target as often as his character’s bullets. Many reminded me of the kind of things one heard in a 6th-grade lockerroom. All that raised this above a zero were the steely presence of Liam Neeson and the soap-bar beauty of Charlize Theron.

Belle – 6.5

It was a pleasure to luxuriate in a film where the dialogue consisted of complete sentences and the costumes, settings and actors were gorgeous. Granted, this was a pale imitation of Merchant-Ivory, and even Downton Abbey had more suspense, surprise and originality; but still it Trolloped along inoffensively and brought mist to the eye as […]