John Goodman is never uninteresting, and his turn as a survivalist looney was suitably convincing – and well matched against Mary Elizabeth Winstead’s hostage. Maybe there was nothing terribly important or riveting at stake, but the players kept me engaged. When actual stakes were revealed at the end, a new light was cast on all […]
Long, boring and if there was a point, I missed it. Heart of Darkness meets Ramar of the Jungle is not a winning recipe, especially when the white-man leads are unattractive and delusional. The natives were more noble but not noticeably attached to any universe I recognized. At least I learned that the Amazon, or at […]
Points for style and technique, as the whole film is shot in claustrophobic, hand-held close-focus, always looking at or through the eyes of the mesmeric, or mesmerized, Saul. When a truck is on the road and we see green trees pass by, the color takes us aback. What was missing, for me, was any empathy […]
As I watched, I couldn’t figure out where the film was going, and at the end I was convinced that the director didn’t know either. Maybe it was just a diary of what life is like for women in repressive, backwards Turkey – horrible to imagine in a NATO nation in this day and age. […]
Instead of a biopic, director Danny Boyle and screenwriter Aaron Sorkin tell the story of Apple’s founder in three parallel days of product launches. Instead of recreating reality, those days are representative, telescoped, dramatically heightened. Each involves a Jobs confrontation with 1) his daughter Lisa and her mother; 2) his cofounder Steve Wozniak; 3) his […]
For all the reasons I usually dislike movies “based on true events,” I ate up the story of Boston crime boss “Whitey” Bulger. I knew the name and vague outlines of his story, but this film filled in the details. I have a particular, if distant, affection for the streets of Boston from The Departed and […]
One weird movie that either speaks to the universal human condition (in stop-action animation) or is a Rorschach blot to engage in how you will. Then there are those mask-faces with detachable parts. Or the voices that are all the same, except for Michael and Lisa. A movie doesn’t have to make sense to move […]
Harmless piffle for the schmaltz-inclined. Originality: zero. Subtlety: zero. Believable characters: zero. Surprises: zero. But as I said, it won’t hurt you, unless you’re overly sensitive to caricatures and stereotypes, in this case Greeks and Lebanese. Others loved it; I found it silly.
Here’s an answer to the question, Why don’t they make movies about real people? Because not much happens in their lives and it’s hard to understand them talking. This entire movie hinged on the wife (Charlotte Rampling)’s discovery that her husband (Tom Courtenay) had never gotten over his prior lover. But since we didn’t see […]
An absurd story with terrible acting (Domnhall Gleeson especially, but I could name others), with lots of violence and gore and amazing cinematography. You wonder first, how they could have shot this, and then second, why bother? Leonardo DiCaprio’s escapes from death were so unbelievable that they had no emotional impact. As for the dialogue […]
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