An unrelentingly dark picture of the Lower East Side in 1921 and the unrelentingly dark life facing penniless immigrants in New York. The story, which suffers from loose ends all over, depends on three skilled actors, all seemingly miscast. Jeremy Renner, so intense in The Hurt Locker, hardly seems the lightfooted magician. Joaquin Phoenix, a […]
A one-person drama that is daring in conception and clever in execution; but in the end you feel it might work better as a play or a short story. We get a pretty good read on Tom Hardy’s character halfway through, and with no more surprises you wait for his car to arrive, which, metaphorically […]
It was interesting to compare this to Turn!, the AMC serial about the Revolutionary War, in which the occupying British forces are automatically the bad guys, to be slaughtered without compunction. Here, the occupiers were Americans – hence, the good guys – although it was not otherwise explained why they were in Afghanistan and we […]
This film made no sense. Absolutely none (unless, apparently, you had read the book it was based on). Much dialogue was unintelligible and the cinematography was dreary. It even managed to make an unclothed Scarlett Johansson unattractive. [Smoking -1, incidental crowd scenes]
Perhaps this was Canada’s version of Magic Realism, or perhaps it was cinema-by-collage. However it can be described, it certainly was bizarre. Start with the casting of Jake Gyllenhaal, who was convincing neither as a college history professor nor as his more financially successful doppelganger. Instead of an attempt at reality, I had the feeling […]
The latest, and one of the best, from the modern movie Mannerist Wes Anderson – a totally stylized romp through pre-war Eastern Europe, if you can call a cross between the Marx Brothers and James Bond a style. Each shot begged you to look for little jokes in the background – like the Delta flight […]
Among the things we don’t know: why Celine tried to kill herself; why Marie didn’t book a hotel for Ahmad; why Naimi lied to Lucie; why Marie is marrying Samir; why Ahmad left Marie; and, in the final shot, whether Celine is brain dead and whether Samir wants her to be. For each question, director […]
A fascinating look from a Japanese point of view at the engineer responsible for Japan’s World War II airplanes. The view was ambivalent: Jiro was following his dream and didn’t seem concerned about where it led. The movie was matter-of-fact, acknowledging the disaster of the war, but not judgmental. The view was also sheer artistry: […]
This was a gritty, heart-stopping thriller, with twists and turns to the very end. It portrayed the harsh conditions Palestinians suffer under Israeli occupation, but that was the context of the movie, not its point. Whom can you trust, is all really fair in love and war, how far does friendship go – these were […]
If Nebraska was bleak, the Oklahoma of Osage County was bleaker, and hotter and the family more dysfunctional and meaner, in a deep, searing way. The film read as a play transported to the screen, not least because of the haunting echoes of the great American playwrights – O’Neill, Williams, Albee. Every line and every […]
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