Entries by Bob Marshall

Grand Budapest Hotel – 7.8

The latest, and one of the best, from the modern movie Mannerist Wes Anderson – a totally stylized romp through pre-war Eastern Europe, if you can call a cross between the Marx Brothers and James Bond a style. Each shot begged you to look for little jokes in the background – like the Delta flight […]

The Past – 7.9

Among the things we don’t know: why Celine tried to kill herself; why Marie didn’t book a hotel for Ahmad; why Naimi lied to Lucie; why Marie is marrying Samir; why Ahmad left Marie; and, in the final shot, whether Celine is brain dead and whether Samir wants her to be. For each question, director […]

The Wind Rises – 7.9

A fascinating look from a Japanese point of view at the engineer responsible for Japan’s World War II airplanes. The view was ambivalent: Jiro was following his dream and didn’t seem concerned about where it led. The movie was matter-of-fact, acknowledging the disaster of the war, but not judgmental. The view was also sheer artistry: […]

Omar – 8.2

This was a gritty, heart-stopping thriller, with twists and turns to the very end. It portrayed the harsh conditions Palestinians suffer under Israeli occupation, but that was the context of the movie, not its point. Whom can you trust, is all really fair in love and war, how far does friendship go – these were […]

August: Osage County – 8

If Nebraska was bleak, the Oklahoma of Osage County was bleaker, and hotter and the family more dysfunctional and meaner, in a deep, searing way. The film read as a play transported to the screen, not least because of the haunting echoes of the great American playwrights – O’Neill, Williams, Albee. Every line and every […]

Gloria – 5

1:45 was a long time to wait for Umberto Tozzi’s rendition of our favorite dance song. It was a thrilling moment to see Gloria shed her glasses and let loose to her eponymous tune, but there wasn’t much of interest that came before. She had a very pleasant smile and was good company and her […]

Broken Circle Breakdown – 5

Expecting an Oscar-worthy, country-music-tinged dose of European realism, I found myself watching a 7-year-old girl die of cancer, her father lose his mind and her mother commit suicide. Where was the redeeming art? Despite their longing looks, there was a strange lack of chemistry between the lovers, and the director constantly bounced back-and-forth between the […]

Monuments Men – 3

I sat through 65 minutes without finding a scene that was either believable or likable. I once thought George Clooney could do no wrong, but here he’s done nothing right, from casting to acting to plot to tone. The famous actors, with the possible exception of Cate Blanchett, just play themselves and you wonder what […]

Top Ten – 2013

That only leaves Barbara, to which I have somewhat tentatively assigned the top spot on my list. It is not powerful, or surprising or innovative. But when I left the theater I felt I had seen an almost perfect movie.

Nebraska – 8

Bruce Dern plays a Midwestern Lear in the role of a lifetime (I know, because I saw his other career highlights in a Film Festival tribute the next day) and June Squibb is an Oscar-worthy match for Jennifer Lawrence in an uncannily similar role; but what most intrigued me was the son, played uncomfortably by […]