Entries by Bob Marshall

Top Ten 2015

Spotlight was not quite All the President’s Men but it was the next best thing, a rare “true story” that played out as drama. I loved its depictions of journalism, Boston and the Catholic Church’s pedophilia scandal, with telling end credits the coup de grace.

The Wrecking Crew – 3

A boring portrait of L.A. studio musicians that goes nowhere, despite – or maybe because of – a multitude of musical teases. Sort of how not to make a documentary. (Airplane viewing)

Danny Collins – 6

Annette Bening is a wonderful actress. Everything else is by-the-book as Al Pacino plays a Neil Diamond character trying to rescue his lost soul, or is it humanity, unconvincingly prompted by the unlikely (based on a true story) appearance of a letter from John Lennon. Lennon’s songs give the film a bit of undeserved heft. […]

Youth – 7

Gorgeous shot after gorgeous shot, in what feels like a Technicolor remake of Last Year in Marienbad. The dialogue is wading-pool deep, which made me wonder if last year’s The Great Beauty only resonated because it was in Italian. Michael Caine was pleasant, if unconvincing, while Harvey Keitel seemed to have wandered in from a different movie […]

Star Wars: The Force Awakens – 7.7

As advertised, total escapist fun. The new droid is adorable, the sets are intriguing, the weird characters, humanoid and not, are engaging, and the story is ageless. The female lead is commendable: she’s strong, smart, has a British accent and is not required to show cleavage. Everyone else is adequate, but the movie comes alive […]

Hateful Eight – 3

“How bad can a Quentin Tarantino movie be?,” we asked ourselves. The answer, it turns out, is “worst movie of the year, and most pretentious movie of the century.” It starts with a boring “Overture” by Ennio Morricone, just to link Tarantino with the spaghetti westerns of Sergio Leone. It’s shot in Panavision 70 and […]

Carol – 8

A splendid period piece and a beautiful companion to Brooklyn, as the story of a young woman coming into her identity, here, her forbidden sexuality. Rooney Mara was wide-eyed and as captivating as she was captivated, her resemblance to Audrey Hepburn unmistakable in shot after shot. Cate Blanchett was elegant and austere, and if she seemed […]

The Big Short – 6

A financial primer on the 2008 mortgage meltdown dressed up as a movie, with outsized performances, frenetic cutting and comic asides apparently intended to spice up a subject the movie-going public either wouldn’t understand or would find too dull. The worst were the two goofballs from Colorado, but blustering Steve Carrell and how-weird-can-he-be Christian Bale […]

Noma – 5

This was more of a press release than a documentary, as there was no story, unless you count Noma’s regaining its position as #1 restaurant in the world in the unexplained but totally unscientific annual contest now sponsored by San Pellegrino. Potential subplots emerged – how “Nordic cuisine” was invented from locally sourced ingredients; how […]

In the Heart of the Ocean – 6

Ersatz to the heart would be more like it, starting with Chris Hemsworth’s take on Matt Damon’s Boston accent, running through every painted backdrop and whale sighting and going ultimately to the movie’s core – the idea that Moby Dick emerged from Herman Melville’s late-night interview of the last survivor of the Essex. Once again, historical details […]