Entries by Bob Marshall

Viva – 7.5

A very sweet movie about a young Cuban caught between his macho, ex-con father and his aspirations as a drag queen. There are plenty of cliches and moments of predictable melodrama, but the setting – the slums of Havana – is realistic enough that you forgive some predictabilities in this, surprisingly, Irish-made film. Most of […]

Everybody Wants Some!! – 2

This movie’s view of college life makes Animal House seem realistic. Unfortunately, where Animal House is hilarious, Everybody is just obnoxious. In the 40 minutes we watched before walking out, there wasn’t a single enjoyable, let alone amusing, moment, no one I cared about, or anything resembling a plot. The characters’ personality traits were among my least favorite. […]

Vegas Baby – 8

Despite having no knowledge of, experience with or particular interest in the subject of in-vitro fertilization, I was hooked from the start of this documentary, and it never let go. Director Amanda Micheli skillfully mixed science, human interest, joy, sadness, ethics and economics, with just the right touches of humor for leavening to tell a […]

Eye in the Sky – 8

Kudos to director Gavin Hood, producer Colin Firth, et al., for making a commercial film that presents and provokes debate on a controversial public policy issue: America’s drone war on terrorists in the Third World. Both sides are vividly presented. Pro: a drone strike will eliminate three identified terrorist leaders and two jihadi mules armed […]

Whiskey Tango Foxtrot – 7.5

It’s rather gutsy to make a romantic comedy about the war in Afghanistan – what with all those people dying, not to mention the overlying issue of what our army is doing there in the first place – but Tina Fey handled that challenge admirably. What she didn’t do was convince anyone she was a […]

10 Cloverfield Lane – 6

John Goodman is never uninteresting, and his turn as a survivalist looney was suitably convincing – and well matched against Mary Elizabeth Winstead’s hostage.  Maybe there was nothing terribly important or riveting at stake, but the players kept me engaged. When actual stakes were revealed at the end, a new light was cast on all […]

Embrace of the Serpent – 3

Long, boring and if there was a point, I missed it. Heart of Darkness meets Ramar of the Jungle is not a winning recipe, especially when the white-man leads are unattractive and delusional. The natives were more noble but not noticeably attached to any universe I recognized. At least I learned that the Amazon, or at […]

Son of Saul – 7

Points for style and technique, as the whole film is shot in claustrophobic, hand-held close-focus, always looking at or through the eyes of the mesmeric, or mesmerized, Saul. When a truck is on the road and we see green trees pass by, the color takes us aback. What was missing, for me, was any empathy […]

Mustang – 6

As I watched, I couldn’t figure out where the film was going, and at the end I was convinced that the director didn’t know either. Maybe it was just a diary of what life is like for women in repressive, backwards Turkey – horrible to imagine in a NATO nation in this day and age. […]

Steve Jobs – 8.5

Instead of a biopic, director Danny Boyle and screenwriter Aaron Sorkin tell the story of Apple’s founder in three parallel days of product launches. Instead of recreating reality, those days are representative, telescoped, dramatically heightened. Each involves a Jobs confrontation with 1) his daughter Lisa and her mother; 2) his cofounder Steve Wozniak; 3) his […]