Entries by Bob Marshall

Noma – 5

This was more of a press release than a documentary, as there was no story, unless you count Noma’s regaining its position as #1 restaurant in the world in the unexplained but totally unscientific annual contest now sponsored by San Pellegrino. Potential subplots emerged – how “Nordic cuisine” was invented from locally sourced ingredients; how […]

In the Heart of the Ocean – 6

Ersatz to the heart would be more like it, starting with Chris Hemsworth’s take on Matt Damon’s Boston accent, running through every painted backdrop and whale sighting and going ultimately to the movie’s core – the idea that Moby Dick emerged from Herman Melville’s late-night interview of the last survivor of the Essex. Once again, historical details […]

Peggy Guggenheim: Art Addict – 6

It would be hard to make a dull movie about Peggy Guggenheim’s life, what with her eccentric family, love affairs with artists and, finally, her world-class museum of Surrealist and Abstract Expressionist art in beautiful Venice, but this effort teetered. It started with the worst opening credits I have ever sat through, spread out over […]

Bridge of Spies – 7

A Spielbergian look at a Cold War incident, replete with recitations of the Constitution and what it means to be an American. Who better to present the message than uber-vanilla-good guy Tom Hanks, who, alas, seemed very unlikely as a tough-lawyer negotiator. Not only was I not convinced that his character could have pulled off […]

Janis: Little Girl Blue – 6

Janis Joplin was a phenomenon of a time and place – specifically, San Francisco USA in 1969, give or take. Unfortunately, viewed in retrospect, I don’t really like her music, her looks or her persona. While much the same could be said of Amy Winehouse, that documentary had a societal depth that Janis lacked and […]

Creed – 7

No boxing-movie-cliche goes unturned in this Rocky sequel, but the film is so genial and so devoid of any pretense of originality that you really don’t hold that against it. Stallone, especially, is so subdued – an actor with nothing to prove, probably more invested in his producing – that he’s good company onscreen. Michael B. […]

Brooklyn – 8.4

We’re living in Colm Toibin’s world at the moment – having finished Nora Roberts, reading The Master, now seeing Brooklyn – and what a sensitive and down-to-earth world it is! Characters are minutely observed, and the plot points are all everyday events. Here, all the everyday events happen to Saoirse Ronan’s Eilis, and the beauty of the film […]

Spotlight – 8.5

An almost flawless movie that, more significantly, was important. It offered sympathy for victims of abuse and condemnation for the Catholic Church hierarchy, but most resonant for me was the plug for journalism. The Boston Globe reporters knocked on doors, used their contacts, pored through clips and records, went to court and trusted their instincts, […]

Theeb – 8

“A minor classic,” said one review, and this small film was perfect in its way. It captured a time and place – the Arabia of Lawrence – and above all, a culture. The plot unfolded slowly, through the eyes of a young boy (“Theeb”) who never left camera range. He had to figure out how […]

Room – 7

This one is all about acting and psychology: how do you feel about what each of the characters lives through, and how well do they portray it? Brie Larson is amazingly equable in a seemingly insupportable situation; when she cracks you’re only surprised it didn’t happen sooner. The kid plays a kid – he’s the […]