For all the reasons I usually dislike movies “based on true events,” I ate up the story of Boston crime boss “Whitey” Bulger. I knew the name and vague outlines of his story, but this film filled in the details. I have a particular, if distant, affection for the streets of Boston from The Departed and […]
One weird movie that either speaks to the universal human condition (in stop-action animation) or is a Rorschach blot to engage in how you will. Then there are those mask-faces with detachable parts. Or the voices that are all the same, except for Michael and Lisa. A movie doesn’t have to make sense to move […]
Harmless piffle for the schmaltz-inclined. Originality: zero. Subtlety: zero. Believable characters: zero. Surprises: zero. But as I said, it won’t hurt you, unless you’re overly sensitive to caricatures and stereotypes, in this case Greeks and Lebanese. Others loved it; I found it silly.
Here’s an answer to the question, Why don’t they make movies about real people? Because not much happens in their lives and it’s hard to understand them talking. This entire movie hinged on the wife (Charlotte Rampling)’s discovery that her husband (Tom Courtenay) had never gotten over his prior lover. But since we didn’t see […]
An absurd story with terrible acting (Domnhall Gleeson especially, but I could name others), with lots of violence and gore and amazing cinematography. You wonder first, how they could have shot this, and then second, why bother? Leonardo DiCaprio’s escapes from death were so unbelievable that they had no emotional impact. As for the dialogue […]
This movie was a test of your appetite for Jennifer Lawrence and her hairstyles: I loved her going in but had seen quite enough by the end. My Robert DeNiro fuse was quite a bit shorter and was exhausted almost from the start: his comic persona didn’t fit a character that wasn’t actually funny. Once […]
Spotlight was not quite All the President’s Men but it was the next best thing, a rare “true story” that played out as drama. I loved its depictions of journalism, Boston and the Catholic Church’s pedophilia scandal, with telling end credits the coup de grace.
A boring portrait of L.A. studio musicians that goes nowhere, despite – or maybe because of – a multitude of musical teases. Sort of how not to make a documentary. (Airplane viewing)
Annette Bening is a wonderful actress. Everything else is by-the-book as Al Pacino plays a Neil Diamond character trying to rescue his lost soul, or is it humanity, unconvincingly prompted by the unlikely (based on a true story) appearance of a letter from John Lennon. Lennon’s songs give the film a bit of undeserved heft. […]
Gorgeous shot after gorgeous shot, in what feels like a Technicolor remake of Last Year in Marienbad. The dialogue is wading-pool deep, which made me wonder if last year’s The Great Beauty only resonated because it was in Italian. Michael Caine was pleasant, if unconvincing, while Harvey Keitel seemed to have wandered in from a different movie […]
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