Entries by Bob Marshall

Hannah Arendt – 2.5

What is it with cigarettes and movies? Although smoking has not been a part of “the world I live in” for 40 years or more, 80% of the movies I see have a scene with a character who lights up. Is this the only way to tell us we are in the 1950s, or that […]

Post Tenebras Lux – 7.8

Compellingly strange or strangely compelling, this Mexican film at the Walker Art Center was like a puzzle without an answer that was still fun to do. Just as all paintings needn’t be realistic, not all movies need to make narrative sense. Here, one discrete scene followed another – some were past, some present, some imaginary […]

Caesar Must Die – 8

The power and brilliance of Shakespeare has never, for me, shone more brightly than in this semi-documentary of a prison production of Julias Caesar. Italian criminals brought a peculiar resonance to the depiction of Roman senators, and the fact that they looked like people I know (Richard Blake as Cassius?) made the message even more […]

Upstream Color – 4

I learned more from hearing director/actor/producer Shane Carruth comment after the movie than I did from watching it. As I watched larva being implanted, I felt I was in a Matthew Barney art-house special. Nor could I make much sense of what followed, although the characters were compelling in a way, if you like lost […]

Mud – 7.9

A Huck Finn boy’s adventure story, in which the messy adult world is viewed, but not quite understood, by 14-year-old Ellis and his best friend Neckbone. The plot hangs together neatly – too neatly for some, satisfyingly for me – and the setting is as real as Beasts of the Southern Wild was fanciful. My […]

42 – 7

Remember the Landmark Series of books – great events in history written (well) at a 6th-grade level? This could have been a movie version of one of those books, describing breaking the color barrier in Major League Baseball. It did make me wonder about the reality of the events depicted, in a more nuanced world […]

The Place Beyond the Pines – 7.9

The most notable aspect of this film was its structure, which Siri didn’t like but which I admired for its originality: the movie’s first half was about the Ryan Gosling character; the movie’s second half was about the Bradley Cooper character; and the third half, a separate coda 15 years later, was about their respective […]

Spring Breakers – 3

It was hard to find a socially redeeming quality in this film about sex, drugs and violence on spring break in Florida, and despite thinking long and hard I failed. Nothing was realistic, so okay, maybe this is some kind of American magic realism. Except there was no magic. Just a lot of posing. James […]

The Sapphires – 7

What’s not to like in a film about four young Aborigines overcoming racism, entertaining our troops in Vietnam, finding love and singing classic Motown tunes under the tutelage of the loveable Chris O’Dowd, reprising his character in Bridesmaids? Well, lack of originality for one thing. Every plot development screamed “formula,” and there was a sense […]