Entries by Bob Marshall

Troubadours – 1

This was such an annoying film I’d give it a negative score if I could. Different rock eras were conflated and confused, and no legitimate story line emerged. The filmmaker took his access to the James Taylor/Carole King Reunion Tour and purported to base the story of the Troubadour nightclub in L.A. on it, but […]

Nostalgia for Light – 3

If there was a connection between Chilean astronomers searching out celestial bodies and Chilean widows digging nearby in the Atacama Desert for bones of the “disappeared,” I slept through it, one story being told as slowly and undramatically as the other. The widows’ quest struck me as particularly pointless, but that may just be me.

The Still Moment – 5.5

This is the kiond of film a film festival is for: totally uncommercial, produced on a used shoestring, aimed at a mini-market – but made with such singleness of purpose that its message comes through pure and clear (unlike Nostalgia, Zambezi and Troubadours, below). The message: surfing is about oneness with nature, with commitment and […]

Face to Face – 7.5

 A dream cast of diverse individuals, who came alive in turn with each rationalizing monologue. Although se in an alternate resolution proceeding, rather than a jury room, the program’s description of “an Australian 12 Angry Men” rang true. Our perception of the characters developed and changed as we learned more about them, and the act […]

Just Between Us – 7.8

A five-person roundelay of marital infidelity, Zagreb-style. The plainness, and in one case plumpness, of the actors augmented the realism, even if the lead’s pickup line – “I’d like to cum on your tits” – didn’t. I’m not sure if the story had a moral – eyes will rove but with compromise and understanding, marriage […]

Pure – 7.9

A Swedish Black Swan, with a Natalie Portmanesque performance by a young woman who reminded me of Emily Primps. There were other echoes of Carey Mulligan in An Education, a girl emerging from the teenage world into an adult milieu that simultaneously matures and devastates her. The other characters were stock, but fine; they, however, […]

The Double Hour – 8.4

A cleverly plottd, Christopher-Nolan-like romantic thriller, this rare Italian entry also featured two of the most appealing actors of the SBIFFestival. I knew NAME TK must be a major star when she was shown having explicit sex with her bra on, but I was not prepared for the haunting quality of her face, which, post-festival, […]

The Dilemma – 6

A little Vince Vaughan goes a long way, and this film gives us a lot. The female leads – Jennifer Connelly and Winona Ryder – are quite restrained and wonderful, and the story is, surprise, full of surprises, but the Vaughan-Kevin James bromance is rather more than the other elements can handle. It’s more serious […]

Small Town Murder Songs – 8

I would coin the term “reality film” for movies like this, except that, fictional as it is, it is so much more real than anything you see on “reality TV.” Peter Stormare’s psychologically chinless small town police chief is as far from a “movie star” as you would want to see on the big screen, […]

Black Swan – 8.5

Powerful, ambiguous, provocative horror film, set in the world of ballet but mostly in Nina (Natalie Portman)’s mind. I went to see it as a duty, to round out my Oscar list, having overdosed on the trailer, but found the shots that turned me off in previews were compelling in context. The best surprise was […]