Top Films by Year
Top Films of 2020
Top Films of 2017
Top Films of 2015
The Hurt Locker – 8.5
Powerful and suspenseful, beautifully directed and acted. Together with Dexter Filkins’ amazing The Forever War, which I’m currently reading, this gives a picture of the war in Iraq that makes you wonder, over and over, what are we doing there? Who is the enemy we are fighting? It could be anyone – the man with […]
Whatever Works – 8
It’s funny how a movie that starts with such an extraordinarily mundane, realistic view of New York City, not to mention such a depressing view of the human condition, ends up in a total fantasy – everybody happy, everybody fulfilled, and everybody together on that most depressing night of all, New Year’s Eve. But that’s […]
Cheri – 5
A must for lovers of Art Nouveau – dec arts and fashion – optional for the rest, this apparent synthesis of two Belle Epoque novels by Collette defines “longueur” (languor?) in the person of the title character, played by sole-eyed Rupert Friend. Now, if Michelle Pfeiffer were French, or even sounded, like the estimable Kathy […]
The Hangover – 6.5
As a collection of gags, it had its high points and low points, and the best high points were pretty low, as well. Most of the art, if it can be so called, devolved from the mixing of the different personality types. In its favor, you didn’t have to wonder how these three, or four […]
Departures – 7
A beautifully elegiac film about loved ones’ departing life and human beings’ finding their callings, enhanced by a side-story of cello-playing that fed into an ennobling soundtrack. I hope, however, that the Japanese ritual of “encoffinment” was an allegory. If so, it was justified. If not, then the movie has a lot of improbabilities to […]