Top Films by Year
Top Films of 2020
Top Films of 2017
Top Films of 2015
Marty Supreme P.S.
Given the critical accolades tossed at Josh Safdie and Timothee Chalamet’s film, it’s worth recalling, even a month later, the main reasons I labelled Marty Supreme “unwatchable.” 1. Marty’s character, which dominates the film, is so abhorrent any possibility of “enjoying” the movie evaporates. Yes, Chalamet does a remarkable acting job, presumably at Safdie’s direction, of […]
Nuremberg – 6
It’s tricky to make a modern historical drama where the viewer has his own context to compare. It doesn’t help when the American characters played by Michael Shannon and Remi Malek come across as clueless and incompetent, while Russell Crowe’s Hermann Goering is masterful and compelling. But the film seems populated by symbolic figures, not […]
Cover-Up – 6
A somewhat aimless documentary about our era’s most famous investigative reporter, Seymour Hersh. It wanders among clips of stories he covered, a current non-revealing interview and historic shots of him walking, like the directors had trouble coming up with visuals to fill the frame. The film gave me a face and a personality to go […]
Housemaid – 7.8
A feminist fun-house frolic and frightfest, glued together by the acting chops of Sydney Sweeney. The story makes an inexplicable 180-degree pivot midstream, but I was enjoying myself so much I didn’t mind. It was a good time at the movies, not something to analyze.
La Grazia – 7.5
So Italian, as with every film by Paolo Sorrentino. The story compresses the last six months of a presidency into three actions, but it is the loneliness of old age that is the subject with the existential question, “who owns our days?” Beautifully acted and shot in a wide-screen format that surrounds every figure with […]